不懂事的妻子的雙重生活

　　周興商滅時期，神都戰神拓跋羽帶回一個九霄靈狐，關押在府內。此后神都屢屢出現懸案，懸案中的死者均是神都極美的女子，神都城內人心惶惶。　　為了平息此事，戰神懸賞千兩查找與案子相關的線索，降魔師主動請纓。降魔師的出現讓真相逐漸浮出水面，大家在降魔師的引導下將目光放在了戰神帶回的女子小九身上，并大膽質疑小九是妖，全神都為之震動。戰神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實際上都與她無關。　　真兇其實是戰神拓跋羽，九霄靈狐則是他最后一個獵殺對象，他殺四十九名美艷女子是為了集齊四十九個美艷女子的陰靈，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識破，戰神無法繼續隱藏，只能兔死狗烹與降魔師進行對抗，降魔師不敵敗下陣來，眼看戰神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無法借由九霄靈狐修害人之法術。

　　當Claire的女兒在一次瀕死體驗后表現出越來越令人不安的行為時，她開始相信自己的女兒把邪惡的東西從另一個世界帶回來了。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 獲獎：1943年奧斯卡最佳劇本獎介紹：二戰初期，一艘毀壞的潛水艇擱淺在加拿大海灣。狂熱的納粹船長和他的全體船員必須抵達當時中立的美國，否則他們要被捉拿。一路上他們遇上形形色色的人物，對戰爭和愛國主義抱著各自的態度。在本片中導演鮑威爾和演員艾默力．皮斯伯格針對美國參加同盟國對抗納粹的原因而展現出他們獨特的觀點。