夏日狂情
立翔與亞寶是老朋友，共同開(kāi)設(shè)一模特兒廣告公司，但市道不景，面臨倒閉，而模特兒玲為求出位，不惜出錢(qián)出力，還不時(shí)色誘立翔，但翔不為所動(dòng)，玲為之氣結(jié)，翔為求取得一產(chǎn)品之廣告代理，帶同作品往見(jiàn)釹強(qiáng)人唐虹，但被唐虹彈得一文不值。一日，翔往海灘取靈感，無(wú)意見(jiàn)唐虹被色狼欺負(fù)，翔不顧一切把唐虹救出，唐為此亦對(duì)翔改觀(guān)，決定把產(chǎn)品之廣告代理交給翔，但被奸商查理利用美人計(jì)，令亞寶把創(chuàng)作內(nèi)容外泄，使翔及亞寶面臨破產(chǎn)，幸好唐虹及時(shí)
即刻觀(guān)影
劇情賞析
編輯推薦
終極囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw美國(guó)德州一所高中，以布萊德利（賈斯廷·阿諾德 Justin Arnold 飾）為首的一眾男女學(xué)生風(fēng)生水起，橫行霸道，經(jīng)常以欺負(fù)人為樂(lè)趣。印度裔學(xué)生萊比（Vincent Silochan 飾）、瘦小的戴恩（馬克·多納托 Marc Donato 飾）和有些內(nèi)向自閉的女孩艾米莉（林德賽·西德?tīng)?Lindsay Seidel 飾）等人更是他們優(yōu)先欺負(fù)的對(duì)象。學(xué)校的狀況已然如此，與親人的關(guān)系又分外冷淡和緊張，戴恩他們的生活看不到一點(diǎn)兒希望?！ ?個(gè)月前，戴恩的叔叔去世，留給他一座偌大的農(nóng)場(chǎng)作遺產(chǎn)。飽受欺負(fù)且試圖自殺的他找到和自己同病相憐的幾個(gè)人，他們決定把學(xué)校的小霸王們請(qǐng)到舉行派對(duì)，在勁歌熱舞之中展開(kāi)準(zhǔn)備已久的血腥復(fù)仇……
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
驚變28年2：白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫(kù)斯托,Elliot Benn末日喪鐘再度敲響，帶領(lǐng)觀(guān)眾直視人性毀滅的煉獄，感染者的威脅和幸存人類(lèi)的邪惡。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蒼蠅之母
約翰·亞當(dāng)斯,露露·亞當(dāng)斯,澤爾達(dá)·亞當(dāng)斯,托碧·波塞爾When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone五個(gè)熱衷冒險(xiǎn)的朋友來(lái)到都市傳說(shuō)中的謀殺案發(fā)地點(diǎn)，準(zhǔn)備享受充滿(mǎn)刺激與驚悚的露營(yíng)週末，但是他們很快就發(fā)現(xiàn)，徘徊於此的不是只有他們五人，一個(gè)神秘殺手悄悄接近，本該要縱慾狂歡的野外假期，瞬間變調(diào)成為致命夢(mèng)魘......