性愛交叉點

★ 6.3 播放：38萬 更新：2026-04-27

聞名情色大師：扎爾曼 金佳作。　　她擁有一切，除了她最渴求的崬  西，在喬治亞洲有一個地方，她因為擁有誘惑的力量出名，她能喚醒難以抑制的xing欲望，怪不得疲乏的超級模特薩文娜希望返回那里，薩文娜是紐約時裝表演界的寵兒，祂正處于事業的顛峰，擁有名氣，財寶和T型舞臺提供的一切，包括跟她最好的朋友上床的侽朋友。　　突然覺醒到上層社會生活真相的她撤退到奶奶家和河邊的避暑shan莊偷情，在那里薩文娜尋到了最佳伴侶，一位英俊的當地雕刻家，名叫杰克吉爾伯特，祂釋放出她的激情。                   　　

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劇情簡介

聞名情色大師：扎爾曼 金佳作。　　她擁有一切，除了她最渴求的崬  西，在喬治亞洲有一個地方，她因為擁有誘惑的力量出名，她能喚醒難以抑制的xing欲望，怪不得疲乏的超級模特薩文娜希望返回那里，薩文娜是紐約時裝表演界的寵兒，祂正處于事業的顛峰，擁有名氣，財寶和T型舞臺提供的一切，包括跟她最好的朋友上床的侽朋友。　　突然覺醒到上層社會生活真相的她撤退到奶奶家和河邊的避暑shan莊偷情，在那里薩文娜尋到了最佳伴侶，一位英俊的當地雕刻家，名叫杰克吉爾伯特，祂釋放出她的激情。                   　　

導演精選

不干了，我開除了黑心公司

　　北川恵海人氣小說《不干了，我開除了黑心公司》電影化，成島出執導，福士蒼汰主演，工藤阿須加、黑木華、小池榮子、吉田綱太郎等在片中出演。講述了青山隆在公司被壓迫精神壓力過大，但被朋友山本的活力感染又恢復了自信，但隆卻得知真正山本三年前就自殺了……

相遇之家

擁有15年資歷的資深女獄警，得知自己所負責的收容人美英母親的死訊，之后開始展開的故事。獄警在告別式場以及殯儀館遇見了美英的女兒俊英，這短暫的相遇，給三人的生活帶來了溫暖的變化。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.