鐵血人狼
At暫無內容the暫無內容U.S.暫無內容Secret暫無內容Operations暫無內容Center暫無內容a暫無內容small暫無內容group暫無內容of暫無內容doctors暫無內容led暫無內容by暫無內容Kim暫無內容Delaney暫無內容are暫無內容experimenting暫無內容with暫無內容a暫無內容metallic暫無內容skin暫無內容on暫無內容a暫無內容frozen暫無內容cadaver.暫無內容This暫無內容particular暫無內容body暫無內容is暫無內容that暫無內容of暫無內容a暫無內容secret暫無內容agent暫無內容that暫無內容succumbed暫無內容twenty暫無內容years暫無內容earlier暫無內容to暫無內容self暫無內容injection暫無內容of暫無內容a暫無內容blood暫無內容sample暫無內容from暫無內容a...werewolf.暫無內容Barry暫無內容Bostwick暫無內容plays暫無內容the暫無內容evil暫無內容Colonel暫無內容harboring暫無內容the暫無內容blueprints暫無內容for暫無內容this暫無內容gruesome暫無內容experiment.暫無內容Thus暫無內容the...
即刻觀影
劇情賞析
編輯推薦
萬圣節(jié)傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節(jié)當晚四處尋找糖果，甚至會為此挖開他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災難，當然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節(jié)之夜四處欺負他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結果南瓜頭突然活了過來，大鬧街頭。
天啟Z：完結的起點
何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María一種類似狂犬病的疾病在全球傳播開來，將感染者變成極具攻擊性的生物。馬內爾帶著他的貓躲在家中，憑借他的智慧生存下來。很快，他們將不得不外出覓食，尋找陸地和海上的安全之所。《天啟Z：完結的起點》是一個身體和情感上的生存故事，伴隨著刺激的打斗、緊張的氣氛、瘋狂的感染......以及一只脾氣暴躁的貓。
普通事故
瓦希德·穆巴謝里,瑪麗亞姆·阿夫沙里,艾卜拉希姆·阿茲茲,哈迪斯·帕克巴滕,馬吉德·帕納西,穆罕默德·阿里·艾利亞斯梅爾,德爾瑪茲·納加菲,阿菲桑內·納姆巴蒂,喬治·哈什姆扎德,莉安娜·阿茲茲菲只是一場意外，卻又超乎意外。駕車撞死一條狗，男子與妻女來到陌生車房。憑其義肢走動時的聲響，車房工認出司機或是當年施酷刑的獄吏。仇人送上門，雪恨更待何時。然而，獄中受折磨時雙眼被蒙，嫌疑犯是行刑者確實無誤？從早到晚奔波一輪，找來幾個獄友確認俘虜身份，痛苦回憶涌上心頭。在無 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否問心無愧？以懸疑驚栗布局，暗黑寫實的人物故事來自巴納希獄中親見親聞，將苛政、濫權、以暴易暴一一置于道德倫理的天秤上，丈量人性輕重；悲憤中不失幽默，連消帶打貪污賄賂之風。一面金棕櫚獎，絕非意外。
弗蘭肯斯坦的詛咒
彼得·庫欣,哈澤爾·考特,羅伯特·厄克特,克里斯托弗·李,梅爾文·海斯,瓦萊麗·岡特《科學怪人的詛咒》（The Curse of Frankenstein），又譯作《神秘怪尸》，是1957年英國的一部恐怖片，由咸馬公司出品。本片基于瑪麗·雪萊的同名小說《科學怪人》。本片也是咸馬公司的首部彩色電影，影片出品后得到成功并制作了多部續(xù)篇，并建立了有哥特意味的品牌形象。
異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé所謂的無船員的船攜帶咖啡駛入紐約,但是當警察和一些科學家在船上發(fā)現(xiàn)了船員可怕的尸體和大量的盒子裝滿綠色蟲蛋。爆炸的時候蛋溫度升高和任何人誰接觸的物質都會爆炸。現(xiàn)在政府介入和幸存的軍官,一名上校和一名宇航員發(fā)現(xiàn)這些蛋可能與災難性的火星任務有關。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.