劇情簡介
漢克（湯米·李·瓊斯暫無內(nèi)容Tommy暫無內(nèi)容Lee暫無內(nèi)容Jones暫無內(nèi)容飾）在軍隊(duì)里負(fù)責(zé)研究核武器，他一門心思的撲在事業(yè)上，自然冷落了妻子卡麗（杰西卡·蘭格暫無內(nèi)容Jessica暫無內(nèi)容Lange暫無內(nèi)容飾），夫妻兩人之間的感情漸漸冷淡下來。
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高曉攀,李萌萌,李明,龔玥菲,劉德強(qiáng),趙晉,張暘,郭京波,趙銘,王雪純,金道鑫鑫,于時(shí)弈,劉樂銘都市“躺平青年”但爽，帶領(lǐng)“突如其來”電視欄目組，突襲暗訪專業(yè)從事借錢為生的老鄉(xiāng)“滾刀肉”吳德，在吳德的引領(lǐng)下，但爽有緣結(jié)識了有財(cái)、有貌的“超級卷王”是蒂，未曾想這對歡喜冤家的愛情之路總是遇見不同的遇見，在經(jīng)歷了英雄救美、海景房騙局、P2P理財(cái)“深坑”的一系列驚心動(dòng)魄的故事下，最終花好月圓走在了一起。
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John Abbott,諾亞·海瑟威,David Comfort,Michael Mancini在一個(gè)遙遠(yuǎn)的星球上，一艘墜毀的宇宙飛船上的后代受到了神秘力量的影響，這些力量使他們在短短8天內(nèi)衰老并死亡。他們還必須住在洞穴里以躲避夜間的嚴(yán)寒和白天的酷熱。一個(gè)小男孩決心要回到把他們帶到那里的那艘船上。但他將如何在剩下的短短時(shí)間內(nèi)完成這一切呢
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深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠(yuǎn)藤隆太,松尾貴史,豐原功補(bǔ),室井滋標(biāo)題中的「ぶぶ漬け（お茶漬け）どうどす」是一句眾所周知的京都表達(dá)，京都人常用這句話以委婉的方式傳達(dá)「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題，展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇，并展開了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號扇子店的自由撰稿人澁澤まどか為主人公，描繪了〈京都人〉與從東京而來的〈外地人〉之間的攻防與沖突。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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