勝券在握 (2024)

? 7.8 播放：15萬 2026-04-26

在科技公司工作的11號(hào)員工白勝（鄧超 飾）被郝大哥（楊皓宇 飾）催債，又慘遭公司裁員，為了贏回屬于自己的800萬期權(quán)，他必須在公司茍住100天。于是白勝不得已設(shè)下騙局重返公司，雖然負(fù)責(zé)裁員的張見（張本煜 飾）多番阻撓，但他卻意外在任遠(yuǎn)勞（喻恩泰 飾）的擔(dān)保下獲得了公司內(nèi)部創(chuàng)業(yè)的機(jī)會(huì)！他一路搜尋人才組建公司“泡泡工廠”，集齊“全能型”人事方方（鄧家佳 飾）、“技術(shù)型”程序員哈雷（柯達(dá) 飾）、“輸出型”公關(guān)強(qiáng)尼（李乃文 飾）。正當(dāng)白勝以為自己可以瞞天過海時(shí)，監(jiān)事周望高（鄭云龍 飾）的出現(xiàn)打破了計(jì)劃，而等待他們的是一場(chǎng)更大的騙局……

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? 播放 勝券在握 (2024)

劇情提要

在科技公司工作的11號(hào)員工白勝（鄧超 飾）被郝大哥（楊皓宇 飾）催債，又慘遭公司裁員，為了贏回屬于自己的800萬期權(quán)，他必須在公司茍住100天。于是白勝不得已設(shè)下騙局重返公司，雖然負(fù)責(zé)裁員的張見（張本煜 飾）多番阻撓，但他卻意外在任遠(yuǎn)勞（喻恩泰 飾）的擔(dān)保下獲得了公司內(nèi)部創(chuàng)業(yè)的機(jī)會(huì)！他一路搜尋人才組建公司“泡泡工廠”，集齊“全能型”人事方方（鄧家佳 飾）、“技術(shù)型”程序員哈雷（柯達(dá) 飾）、“輸出型”公關(guān)強(qiáng)尼（李乃文 飾）。正當(dāng)白勝以為自己可以瞞天過海時(shí)，監(jiān)事周望高（鄭云龍 飾）的出現(xiàn)打破了計(jì)劃，而等待他們的是一場(chǎng)更大的騙局……

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

月球漫步2024

對(duì)于16歲的女孩Jung-hee來說，一年中最困難的一天是她祖母的陣亡將士紀(jì)念日。鄭熙通常很難和酗酒的母親相處，但在這一天，她大喊大叫的祖父的妹妹來了。她每年都會(huì)責(zé)罵正熙的母親和叔叔，問她為什么為自殺的祖母做追悼會(huì)，而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后，正熙不知怎么地覺得這是她的錯(cuò)。所以Jung-hee決定去冒險(xiǎn)，在那里她可以解開所有的秘密，結(jié)束她母親的青春期。