都會(huì)迷情 (1995)

評分:2.1 播放:29萬 更新:2026-04-27
主演: 李煙龍 狄娜 

渣男到處泡女人,事后不但不負(fù)責(zé)任而且還殺掉女人,偽裝成女人自殺,最后被繩之以法的故事。

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

懸案密碼2:野雞殺手

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  幾十年前,一對年幼的兄妹在自家的小屋里慘遭殺害,唯一可能犯案的,是當(dāng)時(shí)在那里度假的寄宿學(xué)生,然而,因?yàn)樽C據(jù)不足,最終這群學(xué)生們未能被定罪,小屋案成為了未破的懸案,而當(dāng)年負(fù)責(zé)此案件的警探卡爾(尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾)也因此一蹶不振,這宗疑點(diǎn)重重的案件成為了他的一塊心病。  一晃眼幾十年過去,當(dāng)年的寄宿學(xué)生們已經(jīng)長大成人,活躍在上流社會(huì)之中,雖然他們衣冠楚楚風(fēng)度翩翩,但實(shí)際上,他們扭曲的心靈早就令這些人成為了野獸,唯有在殺戮中才能獲得快感。當(dāng)卡爾重拾曾經(jīng)的懸案之時(shí),危險(xiǎn)也在一步一步的接近著他和他的家人們。

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