迷人的保姆
如果妻子喜歡早上起床享受ML......今天上午以來試圖與我的丈夫和我丈夫的關系不值得尊重，但醫(yī)生的妻子。兩個太太之間的關系說，日本舉辦出差后，提出了盡快的房子。并用泥土管家的區(qū)別回到家中，發(fā)現(xiàn)......但把簡單動搖在過去似乎無限溫柔的保護的本能似乎是一個痛苦。最終還是倒在了原來的魅力是無辜的管家......
即刻觀影
劇情賞析
編輯推薦
禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在一家名為“自由伊甸園”的商店里。店員“蘋果”、“櫻桃”和“無花果”私下維持著一個神秘的女巫社團，而新入職店員“南瓜”的出現(xiàn)，開始讓這份姐妹情誼遭受質疑。面對新人的挑戰(zhàn)，這群各懷鬼胎的女性不得不直面潛藏心底的幽暗，沖突也隨之演變成血腥的暴力。
英雄百夜
艾瑪·科林,麥卡·夢露,尼古拉斯·加利齊納,埃米爾·艾爾-馬斯里,查莉XCX,理查德·E·格蘭特,菲麗希緹·瓊斯,瓦拉達·塞圖,克里斯托弗·法里班克,馬凱拉·卡維納赫,湯姆·斯托頓,克萊爾·珀金斯,喬什·柯德雷,薩菲亞·奧克利-格林,畢揚·丹斯曼,杰夫·米爾扎,Olivia D'Lima,喬丹·庫爾森,邁爾斯·基奧治,科里·彼得森講述一個女性主義童話故事，為《一千零一夜》的新編，聚焦兩個相愛的女人Cherry（麥卡·夢露 飾）和Hero（艾瑪·科林 飾）：Cherry與邪惡的男子Jerome（埃米爾·艾爾-馬斯里 飾）結了婚，Jerome與他的朋友、好色的惡人Manfred（尼古拉斯·加利齊納 飾）打賭，看Manfred能否在100晚之內勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送給他。對此毫無興趣的Cherry與她的女仆兼情人Hero策劃了一計：在那100個夜晚，Hero將給Manfred講述一些吸引人的故事，讓Manfred從勾引計劃中分心。
風林火山
金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩雅,甘國亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程東,狼森,尼克·福特港島雪夜，街頭無差別掃射，血流成河；醫(yī)院爆炸火光沖天，慘叫此起彼伏。 這不是末日，是毒品操控下的城市煉獄。 毒販以毒品掌控城市命脈，殺手為爭奪貨源血洗街頭，警方在陰謀中艱難前行——當三方勢力陷入混戰(zhàn)，最令人窒息的逆轉突然降臨：操縱一切的毒販，竟開始全面禁毒？雪夜之下，誰是幕后推手？誰能從這場罪惡風暴中全身而退？
我的老婆是女優(yōu)
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克馬丁是一名成人電影行業(yè)的經紀人，在一家夜總會偵察時，他遇到了達莎。她在洗手間里給他看了一些非常有才華的東西，他開始考慮讓她在一部成人電影中扮演一個角色。這個行業(yè)最近變得非常時髦，他向她承諾，她將成為超級明星，她的電影將炸毀網絡。然而，。..
時空悍將
丹澤爾·華盛頓,凱莉·林奇,羅素·克勞,威廉·弗西斯,威廉·菲克納故事發(fā)生在一個電腦科技極為發(fā)達的年代，一名科學家發(fā)明了一個殺人程序協(xié)助警方辦案，其中集結了數(shù)百名連環(huán)殺手的資料和他們的作案手法。這個程序是如此的邪惡，最后不僅生成了個人意志，更擁有了人類的外表和可以隨時修復任意損傷的特殊能力，它從禁錮中逃脫了出來，在世間作惡。 為了捕捉這位邪惡的“兇手”，警方設計了一個追蹤儀器，罪犯帕克（丹澤爾·華盛頓 Denzel Washington 飾）被選中成為了儀器的試驗品。帕克曾經亦是一名警察，卻因為動用私刑殺死了讓他家破人亡的殺手而被免除了職務打入大牢。而讓帕克感到在意的是，在殺人程序中，亦有當年殺害他家人的那名殺手的存在。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.