強j無罪

4.0 播放:00萬 2026-04-27
主演:Kitty Daly Jordana Leigh Kerri 

在這種極端恐怖sexploitation震驚,一個精神病牧師穿過一個看似郊區田園詩般的風景,并使用了他的衣領,以確保這些可憐的美女越來越殘暴性侵犯的較量之前,一系列美麗的年輕女性的信任。,導演比爾Zebub修剪從標準的連環殺手電影的填料,取而代之的是一個近乎恒定墮落的性恐怖攻勢。;大多數連環殺手電影的青睞肥皂劇對話和投機描寫的殺手做任何事情,但他成名卑鄙的事跡。連環殺手的故事,這部電影只顯示走火入魔的部分。-比爾Zebub警告:這部電影包含圖形L體和性侵犯和在僅用于成熟的觀眾。強迫是一種圈董事比爾Zebub合并恐怖在這個聳人聽聞的令人震驚的墮落牧師誰引誘無辜的郊區女孩成為性奴隸的sexploitation的。連環殺手的話題選擇較為節制的做法不同于其他董事,Zebub的目的是激怒觀眾,強調只有在他扭曲的故事最褻瀆和可怕的方面。

在線看

同款熱播

外星精神病

Steve Baran,Jackson Berlin,Lee Tomaschefski

  Ryan O'Neil是一位在戰斗中受傷后患有PTSD的退伍軍人,他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察,她的丈夫一直在為這個國家服務,她一直在幫她。瑞恩和托尼從來都不喜歡對方,而托尼試圖干涉他們的婚姻,事情變得激烈起來。但是,當瑞恩在夜晚開始在他的房子里閃現出殺手,外星人和其他奇怪生物的閃光和幻影時,他不確定這是真的還是只在他腦海中。斯蒂芬妮已經和瑞恩在一起,對丈夫的行為深表擔憂。隨著歲月的流逝,瑞恩很快就會發現他的噩夢在他身上縈繞著什么邪惡的存在。

揚帆

貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫珀

 夏洛特(貝蒂·戴維斯 Bette Davis 飾)已經能算得上是一個老姑娘了,她梳著呆板的發型,穿著保守的服裝,性格也古里古怪的,更糟糕的是,她似乎還染上了酗酒的壞毛病。在家人的建議之下,夏洛特決定踏上治療心靈的旅途,登上了駛往遠方的游輪。在游輪上,夏洛特邂逅了名為杰瑞(保羅·亨雷德 Paul Henreid 飾)的男子,并且在誤打誤撞之中和杰瑞的女兒結下了深厚的友誼。很快,夏洛特就感到自己墜入了情網之中,然而,此時的杰瑞并不是自由身,他有這一段無法結束的婚姻。心碎的夏洛特選擇了離開,而夏洛特的母親也在不久之后撒手人寰。

超能計劃

杰米·福克斯,約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機關槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達索

  在新奧爾良的街道上,關于神秘新藥丸的消息開始傳播開來,這種藥丸可以解鎖每位使用者獨特的超能力。但問題是:在服用之前,沒人知道用藥后會發生什么。一些人會進化出防彈皮膚、隱形能力和超強力量,也有很多人會表現出更致命的反應。但是,當藥丸使城市內的犯罪升級到危險水平時,當地警察(約瑟夫·高登-萊維特飾)與一名少女小販(多米尼克·菲什巴克飾)和誓報私仇的退伍士兵(杰米·福克斯飾)聯手以硬碰硬,他們冒著服用藥丸的風險,以追蹤并制止制造出該藥丸的團隊。

我的阿米什人雙重生活

萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes

父親神秘死亡后,年輕的阿米什女子艾瑪想要體驗一些不同的東西,于是,她背著母親瑪麗,在朋友麗貝卡的幫助下,逃到英國世界去參加朗姆酒聚會。在那里,她遇到了白馬王子希思,他讓她愛不釋手。但她與他的夢幻約會被打斷了,因為他因緊急工作被叫到另一座城市。莎拉獨自留在家里體驗現代世界的所有便利設施,她的生活很快變成了一場噩夢,她在廚房發現了一具尸體,不久之后,被一個神秘人物打昏。恢復意識后,她決定逃回阿米什人的生活并躲起來,但是當偵探敲門詢問時,她意識到她必須自己尋找兇手。

靈蝕

桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費比安,卡拉·坎普拉

  自從父親死后,薇若妮卡就一直姊代母職照顧弟弟。思念父親的她,和兩個朋友在日全蝕那天,做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時,玻璃破碎,薇若妮卡陷入恍惚狀態然后昏迷,朋友們也嚇得驚慌失措。薇若妮卡清醒后回家,卻開始發現一些異象:東西自己會移動、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界,可是這些異象卻越發不懷好意,讓她備感威脅。在弟弟的幫助下,薇若妮卡展開一項儀式要脫離靈體糾纏,卻召喚出始料未及的恐怖幻影,雖然薇若妮卡勇敢地抵抗,但她卻渾然不知可怕的后果正等著她……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.