黑夜之色

? 2.0 播放：62萬 2026-04-27

比爾（布魯斯威利斯 Bruce Willis 飾）是一名心理醫生，這個特殊的職業讓他接觸過許多精神抑郁生活壓抑的病人，他們的壓力在無形之中也轉嫁到了比爾的身上，終于，當病人蜜雪兒（Kathleen Wilhoite 飾）在比爾眼前墜樓身亡后，比爾意識到，休息的時間到了。 沮喪的比爾決定去找老友鮑勃（斯科特;巴庫拉 Scott Bakula 飾）敘敘舊，不幸的是，在兩人見面后沒多久，鮑勃便被某個兇徒殘忍的謀殺了，絲狀可怖。為了查明老友死亡的真相，比爾展開了縝密的調查，在此過程中，一個名叫羅絲（珍 middot;瑪奇 Jane March 飾）的神秘女子浮出了水面，然而比爾不知道的是，當他逐步接近真相的同時，危險也在接近著他。 　　

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比爾（布魯斯威利斯 Bruce Willis 飾）是一名心理醫生，這個特殊的職業讓他接觸過許多精神抑郁生活壓抑的病人，他們的壓力在無形之中也轉嫁到了比爾的身上，終于，當病人蜜雪兒（Kathleen Wilhoite 飾）在比爾眼前墜樓身亡后，比爾意識到，休息的時間到了。 沮喪的比爾決定去找老友鮑勃（斯科特;巴庫拉 Scott Bakula 飾）敘敘舊，不幸的是，在兩人見面后沒多久，鮑勃便被某個兇徒殘忍的謀殺了，絲狀可怖。為了查明老友死亡的真相，比爾展開了縝密的調查，在此過程中，一個名叫羅絲（珍 middot;瑪奇 Jane March 飾）的神秘女子浮出了水面，然而比爾不知道的是，當他逐步接近真相的同時，危險也在接近著他。 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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