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科洛弗悖論
古古·姆巴塔-勞,大衛·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格紅衣新娘2022
莎拉·菲爾伯鮑姆,愛德華多·諾列加,安娜·加列娜,迪諾·阿布雷夏,克里斯蒂娜·多納迪奧,Maurizio Marchetti,馬西莫·吉尼,羅伯塔·吉拉魯索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基薩·梅加,Gino Nardella, 瑪麗西亞·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea退伍軍官
亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke鐵血戰士:荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪同類精選
影視排行
孤立無援
凱特琳·德弗,Ginger Cressman,扎克·杜哈梅,杰拉爾丁·辛格,Rose Bianca Grue,Dari Lynn Griffin,Elizabeth Kaluev,Evangeline Rose,Devyn Sandidge,Lauren L. Murray,John Cortes,娜塔莉·阿拉爾孔,Bridget Malbrough一個被放逐的焦慮不安的居家者必須與一個進入她家的外星人戰斗。
怨泊
何超儀,高橋和也,白川和子,周俊偉東京,一個世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后,來到此地欲求購買房生產,并度過一個短暫而寧靜的假期,但一切事與愿違。由于美國總統的突然到訪東京,原定的酒店已滿。 房地產公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ,當Sarah入住時,她發現它是由一位老婦人(白川和子 飾)經營的。她在那里的第一個晚上感到十分不安和可怕,噩夢連連,并且病了起來,只能被迫留下來,更令她意外地發現了一具正在被寄生蟲吞噬的完整骨骼。警察局的高級警司(高橋和也 飾)接手調查,也發現這家民宿牽涉多宗連環離奇失蹤案件,怪事連連,警司也未能為Sarah破解。 這座有著非常神秘力量和不明歷史的房子,與Sarah有著某種聯系。當 “minpaku” 的燈熄滅時,可怕而令人不安的景象籠罩著她,它們變得越來越真實。一場又一場可怕而離奇的噩夢,令人不知道這是開始還是結束,似乎一切都是安排好的。
皮附
Tristan Beint,Amelia Bennett,Simon RiversSix people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster