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劇情提要
在美國LA想要開始全新人生的兩個男人和一個女人之間關(guān)于夢想、希望、愛情、背叛的故事。
暗夜精選
女劫
娜塔莉·布朗,喬納森·沃頓,彼得·達莰哈,佩頓·肯尼迪,羅恩·利,邁克爾·戴森,梅蘭妮·林斯基,塞思·杜哈梅,薩奈·維多利亞,希拉·凡德,琳賽·柏奇三天
樸新陽,李民基,李來外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski越戰(zhàn)黑金剛
萊伯·布朗,凱瑟琳·希克蘭,克勞迪奧·弗拉加索,盧西亞諾·皮格齊迪茲先生進城
加里·庫珀,琪恩·亞瑟,喬治·班克羅夫特,萊昂內(nèi)爾·斯坦德,道格拉斯·敦布里勒西謊極落之太爆太子太空艙
周柏豪 ,張繼聰,蔡瀚億,林敏驄,林盛斌,雨僑,連詩雅,陳詩慧,莊鍶敏,周祉君,杜小喬,宋本中,徐浩昌,吳志雄,盧宛茵,鄭丹瑞,盧覓雪,趙善恒,張學(xué)潤風(fēng)來之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亞,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene同系列推薦
媽媽:來自Neraka的祝福
漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖年少有你
張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞精靈寶可夢:去往超克的時空
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統(tǒng)子,真堂圭,三宅健太,逢坂力,中西英樹,川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運升,秋山龍次,馬場裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏鬼悚歷險3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez幕后花絮
村“靚”了
該片講述了新時代,主人公陳建國回到家鄉(xiāng),憑借創(chuàng)新精神和不懈努力,將曾經(jīng)“臟亂差”問題突出的家鄉(xiāng)成功打造為遠近聞名的民宿旅游村,不僅帶動了鄉(xiāng)村經(jīng)濟的蓬勃發(fā)展,顯著改善了村民的生活環(huán)境,更是引領(lǐng)村民踏上了共同富裕的小康道路,深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔(dān)當(dāng)以及鄉(xiāng)村發(fā)展的巨大潛力。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.