我兄弟的血:伊拉克的死亡事件
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THE暫無內容BLOOD暫無內容OF暫無內容MY暫無內容BROTHER暫無內容goes暫無內容behind暫無內容the暫無內容scenes暫無內容of暫無內容one暫無內容Iraqi暫無內容family's暫無內容struggle暫無內容to暫無內容survive暫無內容amidst暫無內容the暫無內容carnage暫無內容of暫無內容the暫無內容growing暫無內容Shia暫無內容insurgency.暫無內容Nineteen-year-old暫無內容Ibrahim暫無內容dreams暫無內容of暫無內容revenge暫無內容when暫無內容his暫無內容brother暫無內容is暫無內容shot暫無內容and暫無內容killed暫無內容by暫無內容an暫無內容American暫無內容patrol.暫無內容With暫無內容scenes暫無內容of暫無內容fighting暫無內容and暫無內容death暫無內容on暫無內容the暫無內容streets暫無內容of暫無內容Baghdad,暫無內容this暫無內容is暫無內容the暫無內容closest暫無內容most暫無內容viewers暫無內容will暫無內容ever暫無內容come暫無內容to暫無內容being暫無內容in暫無內容Iraq;暫無內容kneeling暫無內容i...
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Clare Monnelly,布里·尼·內奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利浴血蔣家河口
任帥,關亞軍,曹楠,計美臣六度戰栗
愛德華·福隆沒有面孔的眼睛
皮埃爾·布拉瑟,愛迪絲·斯考博,阿莉達·瓦利,朱麗葉特·麥涅勒,亞歷山大·里尼奧,貝亞特麗斯·阿爾塔里巴,夏爾·布拉韋特,克洛德·布拉瑟,米歇爾·埃切韋里,伊薇特·埃蒂耶旺,勒內·熱南,呂西安·于貝爾,馬塞爾·佩雷斯,弗朗索瓦·介朗哪吒鬧海
梁正暉,邱岳峰,畢克,富潤生,尚華,于鼎九龍大眾浪漫真人版
吉岡里帆,水上恒司,龍星涼,柳俊太郎,梅澤美波,花瀨琴音 ,フィガロ?ツェン,山中崇,サヘル?ローズ,關口曼迪,島田久作人氣佳作
約定2024
片岡千之助,北香那,望海風斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風吹淳,橋爪功外出時刻
羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧摩登神探
鄭則士,廖偉雄,羅烈導演精選
毛骨悚然撞鬼經 2022夏季特別篇
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
請以你的名字呼喚我
故事發生在八十年代的意大利里維埃拉,每年夏天,十七歲的少年艾力奧(提莫西·查拉梅 Timothée Chalamet 飾)都會跟家人一起來此地度假。今年,和他們共享假日時光的,還有來自美國的奧利弗(艾米·漢莫 Armie Hammer 飾),高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時間的推移,艾力奧和奧利弗之間漸漸產生了致命的吸引力,但性別和年齡的桎梏讓他們遲遲無法跨出那關鍵的一步,與此同時,單純善良的少女馬奇婭(艾斯特·加萊爾 Esther Garrel 飾)也向艾力奧奉獻著自己的感情和身體。最終,洶涌的激情沖破了艾力奧和奧利弗之間的防線,兩人開始了一段注定不會有結果的戀情。