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劇情提要
在妻子娘家的幫助下創業的樸相泰,因緣際會認識了女秘書美妍,沒想到兩人日久生情,不時就在辦公室纏綿悱惻。暗戀著美妍的助理秘書承奎,要相泰的妻子惠英拍攝一段婚外情影片,用來作為訴請離婚的證據,但承奎內心卻開始打著別的算盤,為了得到美妍不惜與社長夫人結盟的他,最後會贏得美妍的愛嗎?
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Sophie Marceau,David Spade,Artie Lange衛兵的吶喊
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Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana人體亂碼
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致我們終將逝去的青春
18歲的鄭微(楊子姍 飾)終于如愿考上青梅竹馬鄰家大哥哥林靜(韓庚 飾)所在學校的鄰校,等她滿懷期冀地步入大學校園,卻遭遇打擊——林靜出國留學,杳無音信。鄭微倍感失落,患難時刻與室友阮莞(江疏影 飾)、朱小北(劉雅瑟 飾)、黎維娟(張瑤 飾)及師哥老張-張開(包貝爾 飾)結 下深厚友誼,同時富家公子許開陽(鄭愷 飾)對鄭微展開了瘋狂的追求,而備受男生歡迎的阮莞用她特有的清冷守護著對于心愛人趙世永(黃明 飾)的忠貞。一次偶然的誤會使鄭微與老張室友陳孝正(趙又廷 飾)結為死敵,在一次次地反擊中,鄭微發現自己愛上了這個表面冷酷、內心善良的高材生,于是瘋狂地反擊演變為死纏爛打地追求,而陳孝正也終于在強攻之下繳械投降,歡喜冤家終成甜蜜戀人。大四畢業之際鄭微的生活再次經受考驗:陳孝正得到曾毓(王嘉佳 飾)的出國留學名額,卻遲遲不敢告訴鄭微,感覺再次被欺騙的鄭微痛苦地離開陳孝正…… 多年后,鄭微已蛻變為職場上的白領麗人,竟再次品嘗命運的無常:帶著悔意和愛意的林靜和陳孝正同時回到她的生活里!鄭微,這個昔日的玉面小飛龍,將怎樣面對生活和青春賜予她的迷霧和抉擇…… 本片改編自辛夷塢同名暢銷小說。趙薇的首部導演作品,也是其在北京電影學院導演系研究生專業的畢業作品。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.