謊言1999
Y是一名18歲的少女，明年就要高中畢業(yè)了。J是一位38歲的雕塑藝術(shù)家，有著一種強(qiáng)烈的虐待和自虐待傾向。一次，通過(guò)一種供男女交往的服務(wù)電話，Y與J相識(shí)并開(kāi)始了交往，從此開(kāi)始了一段熱情似火的變態(tài)虐戀。Y向父母撒謊逃學(xué)，坐火車到韓國(guó)最保守的一個(gè)城市安洞去和J幽會(huì)。這里擁有著最濃厚的儒家文化的氣氛。在他們的第一次約會(huì)中，Y便向J交出了自己的身體。Y說(shuō)，自己的姐姐曾被壞人強(qiáng)奸，這事對(duì)她刺激很大，她想把自己的第一次獻(xiàn)給自己選擇的人。第二次，兩個(gè)人變得更加投入。到了第三次，暴力開(kāi)始成為他們性愛(ài)的中心。他們的性愛(ài)關(guān)系日益
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
入主客房
圭多·卡普里諾,卡米拉·菲利皮,愛(ài)德華多·佩謝,Romeo PellegriniThe morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚(yáng),Lizet Upia,Hannah Wimbrey,Dominique Toney講述了17歲的女孩塔尼婭的故事。她計(jì)劃在秋季入學(xué)前與朋友一起去歐洲度假。但是，她的媽媽決定去泰國(guó)參加一個(gè)健康療養(yǎng)活動(dòng)，因此塔尼婭不得不留在家里照顧她的兄弟姐妹。正如標(biāo)題所示，當(dāng)他們年邁的保姆意外去世時(shí)，塔尼婭找到了一份為一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和復(fù)雜的愛(ài)情關(guān)系時(shí)，塔尼婭在失去最后一個(gè)自由的夏天的代價(jià)中，開(kāi)始體驗(yàn)成人生活。
奧本海默
基里安·墨菲,艾米莉·布朗特,馬特·達(dá)蒙,小羅伯特·唐尼,弗洛倫絲·皮尤,阿爾登·埃倫瑞奇,大衛(wèi)·克朗姆霍茨,喬什·哈奈特,杰森·克拉克,卡西·阿弗萊克,戴恩·德哈恩,本·薩弗迪,大衛(wèi)·達(dá)斯馬齊連,拉米·馬雷克,湯姆·康蒂,肯尼思·布拉納,加里·奧德曼,詹姆斯·達(dá)西,梅肯·布萊爾,杰克·奎德,迪倫·阿諾德,艾瑪·杜蒙特,杰佛遜·豪爾,喬什·祖克曼,馬修·莫迪恩,馬提亞斯·施維赫夫,亞歷克斯·沃爾夫,托尼·戈德溫,庫(kù)爾特·克勒,約翰·高恩,蒂姆·迪凱,泰德·金,古斯塔·斯卡斯加德,邁克爾·安格拉諾,丹尼·德當(dāng)我們?yōu)闄?quán)力金錢(qián)焦慮、興奮與憤怒時(shí)，卻根本想象不到“他們”在談?wù)撝鯓痈匾氖虑椤ｋS著戰(zhàn)爭(zhēng)陰云籠罩世界上空，各國(guó)緊鑼密鼓抓緊軍事競(jìng)賽。為了搶占先機(jī)，美國(guó)陸軍中將萊斯利·格羅夫斯（馬特·達(dá)蒙 Matt Damon 飾）找到量子力學(xué)與核物理學(xué)領(lǐng)域的扛鼎人物羅伯特·奧本海默（基里安·墨菲 Cillian Murphy 飾），力薦其擔(dān)任曼哈頓計(jì)劃的首席科學(xué)家以及洛斯阿拉莫斯國(guó)家實(shí)驗(yàn)室的總負(fù)責(zé)人。經(jīng)過(guò)兩年?duì)幏謯Z秒的研發(fā)，碩大的蘑菇云終于在荒原的上空騰起，也宣告著絞肉機(jī)一般的二戰(zhàn)即將落下帷幕。奧本海默有如將火種帶到人間的普羅米修斯，可是對(duì)人性的參悟和對(duì)未來(lái)的擔(dān)憂迫使他走向與政府相悖的道路。更可悲的是，凡人鐘情的物欲也將一世天才裹挾至煉獄之中，永世燃燒……
玩偶屋
羅伯塔·科林斯,帕姆·格里爾,Judith Brown,Brooke Mills,Pat Woodell科林（Judith M. Brown 飾）遭到了謀殺的指控，被關(guān)入了位于菲律賓的監(jiān)獄里，等待著她的，是長(zhǎng)達(dá)20年的牢獄之災(zāi)。人高馬大的格利爾（帕姆·格里爾 Pam Grier 飾）是監(jiān)獄里的大姐大，她一眼就相中了與眾不同的科林，想要逼迫她委身于自己，但個(gè)性倔強(qiáng)的科林怎么可能就范，在反抗格利爾的過(guò)程中，科林和名叫邦妮（帕特·伍德?tīng)?Pat Woodell 飾）的女囚成為了朋友。 某日，科林被女警官帶走了，她打算通過(guò)刑訊逼供的方式迫使科林承認(rèn)自己沒(méi)有犯過(guò)的罪行。焦急的邦妮找到了聰明伶俐的阿爾科特（羅伯塔·科林斯 Roberta Collins 飾），兩人決定聯(lián)手進(jìn)行救援行動(dòng)。
玉米地的小孩：大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來(lái)的十年里，她匿名生活，試圖使兒子免遭她小時(shí)候所經(jīng)歷的恐怖，但有邪惡跟著她，現(xiàn)在，她必須面對(duì)邪惡，或者失去孩子……