迷人的家教

浴血黑幫：不朽傳奇

基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆

1940年的伯明翰，在第二次世界大戰的混亂中，湯米·謝爾比（基里安·墨菲 飾）從自我放逐中回歸，直面著迄今為止最具破壞性的清算。家族和國家的未來岌岌可危，湯米必須面對自己心中的惡魔，并選擇是直面它還是將其毀滅。

正義聯盟：無限地球危機(下)

凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒

　　Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.

定時拍攝

丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson

　　某座住宅區，負責公寓內各項維修事務的菲恩（Matt O'Leary 飾）和約瑟（George Finn 飾）是一對窮的叮當響的好基友。某天菲恩的女友凱莉（Danielle Panabaker 飾）來到他們的住處，當得知住在隔壁的貝先生已經很長時間沒走出房門時，凱莉自告奮勇上門查看，結果卻一臉錯愕地回到二人面前。原來貝先生早已不見蹤影，房間內一面墻貼滿了以三個人為對象的拍立得照片，窗口則有一臺奇怪的機器正對著菲恩和約瑟的房間。不久后他們發現，那臺機器竟是可以拍攝到未來情景的照相機。他們發現了貝先生的尸體，然而因為照相機的原因秘藏了此事。　　無意間擁有了窺視未來的手段，年輕人們的心不知不覺躁動起來……

最偉大的時光

艾斯林·貝亞,馬修·麥克諾提,愛麗絲·洛維,伊莎貝爾·貝爾納多,埃瑪·阿莫斯,羅拉·麥克唐納,齊吉·希思,馬克·伍頓,阿爾弗雷多·塔瓦雷斯,Jayde Adams,安馬卡·奧卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou

 露絲·威爾森、庫什·珍寶、裴淳華正商談主演改編自大熱音樂劇《The Band》的新片[最偉大的時光](Greatest Days，暫譯)。影片由科奇·吉爾佐(《名姝》)執導，片名靈感源自英國流行組合接招合唱團(Take That)的同名歌曲。故事圍繞著五名女學生展開，她們在自己最喜歡的男孩樂隊的演唱會上，度過了一生中最難忘的夜晚。25年后，她們的生活以及生活方式發生了翻天覆地的變化，她們相聚在一起回望過去并探索未來。接招合唱團成員包括加里·巴洛、霍華德·唐納德、杰森·奧蘭奇、馬克·歐文和羅比·威廉姆斯。環球音樂集團將全力助陣該項目，接招合唱團的大量歌曲將獲得使用，包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲將全部在影片中呈現。

開棺2025

陳可如,光俊

一對夫妻在他們的土地里挖掘出一座古墓后，圍繞著一條被詛咒的項鏈和一個充滿復仇之心的鬼魂，發生了一連串恐怖事件……

海底軍艦

高島忠夫,中村哲,藤山陽子,藤木悠,佐原健二,上原謙,小泉博,田崎潤,田島義文,平田昭彥

　　本多豬四郎監督　　１９６３年／９４分／カラー／３５ミリ／東寶　　出演：高島忠夫、小林哲子、田崎潤　　世界征服を狙うムウ帝國の野望を阻むべく、舊日本海軍が極秘に建造を進めていた海底軍艦が水中?空中?地中を進む。海底軍艦はムウ帝國の守護神マンダをうち破り遂に心臓部に到達する！壊滅したムウ帝國の女王の行動も感動的で何度見ても見飽きない不滅のＳＦ映畫。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.