劇情縱覽
米絲蒂是一個(gè)18歲如花似玉的青春少釹,在鄉(xiāng)丅和她的姑媽英嘉住了一個(gè)星期,對(duì)xing充滿了迷惑和幻想,米絲蒂想從她誘人的姑媽那里激起她內(nèi)心的xing欲。在強(qiáng)烈的誘惑丅,米絲蒂的處釹身獻(xiàn)給了她隔壁的一個(gè)少年侽孩,從此更激起了她深層的色欲。當(dāng)她發(fā)覺(jué)英嘉更喜愛(ài)成群的年輕釹人時(shí),釋放了米絲蒂對(duì)xing欲的最深層的渴求。她到底會(huì)怎樣一起放縱呢?
米絲蒂是一個(gè)18歲如花似玉的青春少釹,在鄉(xiāng)丅和她的姑媽英嘉住了一個(gè)星期,對(duì)xing充滿了迷惑和幻想,米絲蒂想從她誘人的姑媽那里激起她內(nèi)心的xing欲。在強(qiáng)烈的誘惑丅,米絲蒂的處釹身獻(xiàn)給了她隔壁的一個(gè)少年侽孩,從此更激起了她深層的色欲。當(dāng)她發(fā)覺(jué)英嘉更喜愛(ài)成群的年輕釹人時(shí),釋放了米絲蒂對(duì)xing欲的最深層的渴求。她到底會(huì)怎樣一起放縱呢?
米絲蒂是一個(gè)18歲如花似玉的青春少釹,在鄉(xiāng)丅和她的姑媽英嘉住了一個(gè)星期,對(duì)xing充滿了迷惑和幻想,米絲蒂想從她誘人的姑媽那里激起她內(nèi)心的xing欲。在強(qiáng)烈的誘惑丅,米絲蒂的處釹身獻(xiàn)給了她隔壁的一個(gè)少年侽孩,從此更激起了她深層的色欲。當(dāng)她發(fā)覺(jué)英嘉更喜愛(ài)成群的年輕釹人時(shí),釋放了米絲蒂對(duì)xing欲的最深層的渴求。她到底會(huì)怎樣一起放縱呢?
法國(guó)青年克里斯(Fabian Wolfrom 飾),在他11歲時(shí)某個(gè)夜晚,哈雷彗星接近地球。似乎冥冥中有所感應(yīng),他的父母在當(dāng)晚死于非命。此去經(jīng)年,哈雷彗星再度接近地球,全世界人民寄予極大關(guān)注,各種或科學(xué)或玄學(xué)的猜測(cè)層出不窮,熱議紛紛。對(duì)克里斯來(lái)說(shuō)這顆星體的造訪似乎沒(méi)有什么特別的,但是他卻發(fā)現(xiàn)周?chē)藗兊呐e止愈加怪異,人們?cè)絹?lái)越無(wú)法控制自己的情緒,各種暴力和暴動(dòng)此起彼伏,在所謂的末日為降臨前,眾生已經(jīng)陷入絕望的瘋狂之中。彗星蒞臨當(dāng)晚,克里斯受邀參加一個(gè)狂歡派對(duì)。誰(shuí)知未過(guò)多久場(chǎng)面便完全失控,各種嗜血惡徒出籠,展開(kāi)末日殺戮……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
好萊塢驚悚大片《密室逃生2》由《速度與激情》系列金牌制片人重磅打造,前作曾創(chuàng)下中國(guó)影史進(jìn)口驚悚片票房冠軍。續(xù)作在闖關(guān)難度和驚險(xiǎn)刺激程度上全面升級(jí),集結(jié)全球頂級(jí)玩家合力解鎖超高難度密室,開(kāi)啟命懸一線的殘酷生存之戰(zhàn)。
一項(xiàng)革命性的人類(lèi)基因研究計(jì)劃,為預(yù)防疾病與犯罪帶來(lái)了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發(fā)展與延續(xù),還有個(gè)能預(yù)知他人死亡的特殊能力。不過(guò)這次他的能力卻陰錯(cuò)陽(yáng)差害死了自己的女友安娜,內(nèi)疚不已的希歐多以悲傷度日,直到一個(gè)月過(guò)去,安娜竟又活生生地出現(xiàn)在他面前?