Unang tikim

★ 9.3 播放：40萬 更新：2026-04-24

Yuna, a woman engaged with her long time boyfriend, Nicco, starts to have second thoughts when she meets again her first love, Becca. Now she is torn between the man she loves and the woman she first loved.

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劇情簡介

Yuna, a woman engaged with her long time boyfriend, Nicco, starts to have second thoughts when she meets again her first love, Becca. Now she is torn between the man she loves and the woman she first loved.

人氣佳作

走火交易

恩佐·科倫蒂,薩姆·賴利,邁克爾·史麥利,布麗·拉爾森,基里安·墨菲,艾米·漢莫,沙爾托·科普雷,巴布·塞賽,諾亞·泰勒,杰克·萊諾,馬克·蒙迪歐,帕特里克·博金,薩拉·德,湯姆·戴維斯

探魔導師2之王者聯盟

洪冰瑤,李鶴楠,于洛熙,葛天,王炳喬,劉惠,陳招,阿肯,周劍飛,管貞喧,美伊,安龍,Milano,毛秀婷,毛秀玲,齊冰,馬馳,王啟蘅,金韜,趙寅辰,宋曌晗,侯雪艷,殷曉維,何然,祁建國,張天宇,肖磊,萌寶寶,侯耀華,騰奎興,郭憶然,趙英龍,鐘小丹,杜邱,馬滿,王虹,黃靜,盧曉倩,李雪,王子彤,劉芯嘉,蔡姿利,張汐,陳志穎,陳婉儀,靈藥,殷若曦,雪千琪,魏鵬,楊錚,慕巖,史蒂文·達茲,侯晶皓,牛中華,常峰輝,王朋朋,潘靖康,柏樹森,潘臣,汪齊,葛亮,張雪峰

承諾2017

楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri

末世廚房

凱恩·羅賓森,小霍普·伊克波庫,亨利·勞福,魯本·奈雅馬,后路咭,克里斯塔爾,阿倫·阿薩德,拉薩克·庫科伊,埃華特·詹姆斯·沃爾特斯,萊斯利-安妮·米勒,戴米·拉迪波,杰戴亞·班納曼,菲奧娜·馬爾,伊恩·賴特,阿拉貝拉·麥克穆雷,布萊德利·WJ·米勒,泰賈·卡布斯,雷娜·查基爾,泰亞爾尼·費倫-斯賓塞,奧利維婭-羅絲·科利亞德

導演精選

這么遠那么近

一位外向、人緣好的酒吧老板，雖然平日喜歡與人群為伍，內心深處卻一直隱藏著對十年前逝去戀人的細膩思念。每當他遇見容貌神似她的女子，總是不自覺地駐足凝望，深陷于回憶的漩渦中。

大盜演

制片徐蝦（李璨琛飾）及副導演張炳文（姜文傑飾）帶領拍攝團隊正在泰國進行《雌雄大盜》電影拍攝。誰料發生一連串意外及失誤令拍攝進度雪上加霜??劇中當紅的男女主角在沒有完成戲份下便要收工，監製（田啟文飾）竟然毫不動氣，原來第二天已經挾款逃亡，只剩下一大筆債務。 就只有拍攝好的七成戲份，到底剩下配角詹記（詹昊宸飾）與劉連飄飄（曾美慧孜飾）及幾名劇組人員在沒有男女主角的情況下能否順利完成餘下的戲份嗎??？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.