劇情簡介
一個多愁善感的老女人和一個十幾歲的男朋友。他們彼此喜歡，所以她和他談論她自己，她的靈性，神秘主義和存在本身。他們變得形影不離，所以他嫉妒的母親面對著她。
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天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤沙漠里流傳著一句話：天出血，人死絕。故事發生在舊時代的西北，這樣一片沙漠地帶，它講述了一個愛情悲劇故事。年青的問九因鄉鄰間缺水爭執而出逃在外，待回來時，曾與之心心相印的秀秀姑娘已被族叔迎娶，成了他的嬸嬸。水繼續威脅著人們的生存，問九的族叔為富不仁，竟以空手能否從滾開的油鍋里撈起銅錢來決定人們在綠洲的去留，他狠毒地騙問九替他撈起銅錢卻又暗地加害問九。問九奮起抗爭，砍死了族叔，被官府捉捕。牢獄未能囚住問九渴求自由的心。他一次次尋求機會越獄。數十年后，當問九逃出虎口，卻又被沙漠里的土匪抓住逼他帶路，對秀秀的愛情支撐著問九最后的生命，他再次出逃，掙扎著爬回自己的故鄉。但黃沙已無情地吞噬了這里的一切，唯有刻著綠洲村的石柱還未被淹沒。問九手撫石柱瞑目在這荒原上。荒原上，彩霞滿天。天出血，人死絕。
A面B面
陳曉東,張靜初,芙蓉姐姐,袁文康,孔維,鄧家佳,任泉,王洛勇 Luoyong Wang教授“精神心理衛生”的陳聰明（王洛勇 飾）在評定教授職稱的課上口出驚人之語，校長再也無法容忍這位行為瘋癲的老師，于是后者進入一家惟利是圖的精神病院暫時棲身。在這家醫院工作的梁海潮（袁文康 飾）難以忘記前妻柳悅（張靜初 飾），經陳聰明開導，梁海潮決定把前妻從開補藥店的蕭春雷（陳曉東 飾）那里奪回來。此時，日日與補藥作伴的柳悅在工作時崩潰，也被送入精神病院，在陳聰明幫助下，梁海潮將柳悅救出，而蕭春雷將柳悅的藥吃下導致情緒失控，被精神病院關押。梁海潮認為奪回前妻的時機已到，而陳聰明則開始想法幫助受害的蕭春雷……
僵尸參將2
張峻鳴,恩璟,鐘雷,常元佳,廖茉汐清末，記者黛雪揭發妖道利用僵尸販運少女。幕后黑手是明朝后裔七公主，她借販賣少女籌復國經費，并將哈布參將煉為僵尸。暴露后，七公主放出吸血鬼威廉，哈布恢復意識迎戰。危急時師兄石敢當趕到，眾人合力鏟除七公主與威廉。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery CorderoOlivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.
三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯萬圣節前一天，五名狂歡節員工被綁架挾持到一個稱為“肅殺世界”的孤立院子。在萬圣節時，他們會被扔進一個名叫“31”的虐待狂的游戲中，他們將面對一群穿得像小丑一樣的瘋子。然而，小丑并不是唯一需要擔心的，一個更宏大的邪教儀式和更殘酷的陰謀將被喚醒......
丟失的彩票
翁拉維·那提通,芬蒂拉·皮皮亞克隆,娜帕帕·丹特拉庫爾,蘇提拉克·素維杰拉一個搶劫喜劇電影，關于一群人的生活從手嘴一起作為一個團隊的使命，從一個黑手黨債權人拿了中獎的彩票不知道它贏得了3000萬泰銖的獎金回來!