在線看
同款熱播
守護(hù)者2025
塔提阿娜·瑪斯拉尼,羅西弗·薩瑟蘭,伯克特·圖爾頓,艾琳·博伊斯,泰絲·登根斯坦,克萊爾·福萊森,克里斯汀·帕克,洛根·皮爾斯,艾拉·韋杰爾,格倫·戈登,伊芙琳·伯克,吉娜·武爾塔焦,艾琳·蒂普爾一對愛侶Liz和Malcolm去到一座偏僻的小屋度假，Malcolm卻因意外先回城了，留下Liz獨(dú)自一人，她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過去，如今纏上了自己。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
本能反應(yīng)
安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專門研究黑猩猩的人類學(xué)家，他在盧旺達(dá)長期觀察觀察當(dāng)?shù)睾谛尚傻幕顒印Ｈ欢鴥赡昵?，這位性情溫和的學(xué)者突然性情大變，殺了兩位當(dāng)?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關(guān)押在美國高度戒嚴(yán)的精神病監(jiān)獄?！ ∧贻p的精神病專家卡爾特（小庫珀?古丁 Cuba Gooding 飾）意圖揭開鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進(jìn)行對話。鮑威爾一開始對這位訪客充滿敵意，身為人類學(xué)家的他在卡爾特面前一點也不落下風(fēng)。隨著對話的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實是偷獵大猩猩的惡棍……
那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊1999年釜山的一個小村莊里，女學(xué)生恩智（劉慧英飾）被害身亡，她的哥哥張宇（周元飾）也失去了唯一的親人，他決心一定要查出殺害妹妹的兇手。由于一點線索都沒有，張宇不得不借助能預(yù)知死亡的少女（李柔英飾）的力量來追查真兇，并在追查的過程中，盯上了小區(qū)內(nèi)平常人緣和口碑都不錯的藥店藥師閔藥局（劉海鎮(zhèn)飾），雖然沒有證據(jù)，但是張宇卻認(rèn)定他就是“那個家伙”，于是開始24小時緊盯著閔藥局 。
金箍上的裂痕
【內(nèi)容由AI生成】畫手林默在AI霸權(quán)時代陷入創(chuàng)作焦慮 。西游世界中，真大圣憑借金箍裂痕覺醒 ，單槍匹馬擊碎黑六耳幻化的巨型機(jī)械妖猴 。隨著妖猴崩解，被囚禁的數(shù)據(jù)化作千萬個神采各異的大圣眾生相?，F(xiàn)實中，林默拒絕AI優(yōu)化并關(guān)上電腦，回歸初心。他在爺爺墓前及街頭孩童揮舞廉價金箍棒的歡笑中領(lǐng)悟到，AI雖能模擬形態(tài)，卻無法替代人在不完美中堅守本心的“選擇”。
午夜的太陽
鄭知曉,車學(xué)沇該片翻拍自2006年上映的同名日本電影，講述罹患罕見疾病——XP色素性干皮癥的女主因為皮膚不能接受陽光照射，否則將出現(xiàn)生命危險。從此白天與之無緣，只能終日躲在家中，唯一的樂趣也只是趁著夜晚踱到車站廣場唱著自己喜愛的歌。在這一過程中，女主漸漸喜歡上時常路過車站的沖浪男孩的愛情故事。