劇情縱覽
一個(gè)叫Gale的男人與女友造愛(ài),但是女友要用偏激的方式才能高潮,于是Gale就在過(guò)程中對(duì)其進(jìn)行束頸,結(jié)果過(guò)頭了,女的掛了,男的被指控。死者的好朋友,一位正點(diǎn)的緩刑監(jiān)控官開(kāi)始對(duì)其特殊性行為進(jìn)行調(diào)查研究,卻深陷其中,但結(jié)局匪夷所思。
一個(gè)叫Gale的男人與女友造愛(ài),但是女友要用偏激的方式才能高潮,于是Gale就在過(guò)程中對(duì)其進(jìn)行束頸,結(jié)果過(guò)頭了,女的掛了,男的被指控。死者的好朋友,一位正點(diǎn)的緩刑監(jiān)控官開(kāi)始對(duì)其特殊性行為進(jìn)行調(diào)查研究,卻深陷其中,但結(jié)局匪夷所思。
一個(gè)叫Gale的男人與女友造愛(ài),但是女友要用偏激的方式才能高潮,于是Gale就在過(guò)程中對(duì)其進(jìn)行束頸,結(jié)果過(guò)頭了,女的掛了,男的被指控。死者的好朋友,一位正點(diǎn)的緩刑監(jiān)控官開(kāi)始對(duì)其特殊性行為進(jìn)行調(diào)查研究,卻深陷其中,但結(jié)局匪夷所思。
民國(guó)時(shí)期,一代奇人關(guān)師爺(梁家仁飾)行走江湖,巧遇妖狐作祟,斗法降妖,因此結(jié)識(shí)了,逢賭必輸?shù)娜~飛(林楓燁飾),二人聯(lián)手救人,關(guān)師爺斗法妖狐(付赫安琪飾),就此結(jié)下不解之緣。此事過(guò)后,關(guān)師爺巧妙化解青樓纏怨,為死去的冤者伸冤,卻再次與怪事纏身的葉飛相遇,于是,上演了一出“葉飛棒打偷雞賊,黃仙尋仇斗師爺”的故事。
根據(jù)水門(mén)事件揭發(fā)人Carl Bernstein和Bob Woodward所寫(xiě)自傳改編的電影。二人是《華盛頓郵報(bào)》的記者,在水門(mén)事件里,他們歷盡艱辛揭開(kāi)政治黑幕,人物和事件一同成為美國(guó)一段家喻戶(hù)曉的歷史。故事由五名盜賊開(kāi)始,他們潛入水門(mén)大度行竊。本來(lái)是一樁不甚重大的刑事案件,卻在Bernstein(達(dá)斯汀·霍夫曼Dustin Hoffman 飾)和Woodward(羅伯特·雷德福Robert Redford 飾)的追查下,最終撕開(kāi)了一條大裂縫,矛頭直指總統(tǒng)尼克松。從1972年到1974年,從尼克松競(jìng)選總統(tǒng)到尼克松連任上臺(tái),華盛頓郵報(bào)受到的壓力越來(lái)越大,甚至被威脅。主編本·布萊德利站在了新聞自由和相信自己記者的這邊,Bernstein和Woodward得以繼續(xù)追尋事件真相,得到了重要線人“深喉”的幫助,經(jīng)歷了難以想象的曲折艱辛后,水門(mén)事件最終導(dǎo)致尼克松總統(tǒng)下臺(tái)。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
對(duì)于16歲的女孩Jung-hee來(lái)說(shuō),一年中最困難的一天是她祖母的陣亡將士紀(jì)念日。鄭熙通常很難和酗酒的母親相處,但在這一天,她大喊大叫的祖父的妹妹來(lái)了。她每年都會(huì)責(zé)罵正熙的母親和叔叔,問(wèn)她為什么為自殺的祖母做追悼會(huì),而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后,正熙不知怎么地覺(jué)得這是她的錯(cuò)。所以Jung-hee決定去冒險(xiǎn),在那里她可以解開(kāi)所有的秘密,結(jié)束她母親的青春期。