歡樂性今宵

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香港早期經典電影 

即刻觀影

劇情賞析

香港早期經典電影 

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火狐

克林特·伊斯特伍德,弗雷迪·瓊斯,大衛·赫夫曼

  蘇聯在1982年開發了米格31噴氣機時,全世界大為驚恐,唯一對策只有盜取這架超性能之飛機,而有能力擔任此任務的就只有越戰空中英雄甘德,甘德終于被說服由退休生涯中復出,接受一連串的特種訓練后,前往俄國并與俄國特務數次交手,展開一場驚心動魄的激烈空戰……

活著

葛優,鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順

 根據余華同名小說改編。富少福貴(葛優)嗜賭成性,妻子家珍(鞏俐)屢勸無果后帶著女兒鳳霞離開了他,當夜,福貴輸光所有家產氣死父親,被迫靠變賣母親首飾租間破屋過活。一年后,家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中,福貴痛改前非,開始靠演皮影戲過起安份守己的日子。但好景不常,內戰時期,福貴被國民黨抓去當勞工,一番輾轉終回到家鄉與一家人團圓后,鳳霞因病變成啞巴,而在后來的大躍進運動和文化大革命中,他雖獲某些小福,逆境卻也一直與他如影相隨。

大地1937

保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德爾頓,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I

 改編自賽珍珠的普立茲獎小說,是好萊塢在三十年代開始注意東方題材的代表性作品。影片雖是描寫中國農村夫婦的悲劇故事,但主角均由美國人扮演,導演悉尼.弗蘭克林也采取西方古典電影的風格來處理,在制作上相當嚴謹認真。劇情描寫保羅.茂尼與路易絲.萊娜本來是貧困的農民,面對饑荒的威脅甚至以烤土充饑。后來茂尼得到了一筆財富,竟整天花天酒地迷戀情婦,萊娜只有發揮賢妻的耐性期待丈夫浪子回頭。今天看來類似故事已顯得老套,但本片的拍攝與特技表現杰出,路易絲.萊娜亦獲得奧斯卡最佳女主角獎。

泰勒·湯姆林森:浪女回頭

泰勒·湯姆林森

泰勒·湯姆林森(Taylor Tomlinson)在她的第四部喜劇特輯《浪子回頭的女兒》(Prodigal Daughter)中,以一個關于解構信仰、處理宗教創傷、探索性取向和面對死亡恐懼的緊張新時刻回到了她的根本。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

格斗家

周小偉

小說作家阿貞與拳王父親從小存在隔閡,父親離世后,她通過格斗競技探尋真相,逐漸理解父親并完成自我蛻變。影片圍繞父愛與親情展開,男主角雖格斗天資一般,仍不懈追尋夢想。劇情融合文與武轉換、善與惡抉擇,最終阿貞為父正名,成為真正的格斗家 。