山鷹之歌

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.

宋真宗晚年，青春年少的包拯和好友公孫策，一同破獲一起塵封多年冤案。女主角月亮十多年前，全家被奸人所害，為了翻案，打聽到傳聞中陰陽鏡能斷是非真假，于是去墓地盜取，結(jié)果觸碰機關(guān)導(dǎo)致展昭被困，為了將其解救，必須破解地穴里的各種機關(guān)算術(shù)。一籌莫展的月亮剛好遇到聰慧過人的包拯，巧設(shè)伎倆利用鬼怪傳說，想引包拯去地穴救展昭。但包拯心中秉持正義、公平，從不相信鬼怪傳說，救出展昭后，月亮拿到陰陽鏡后，坦白自己一家遭奸人所害的事實，兇手還在逍遙法外。為了翻案包拯，利用陰陽鏡的傳說，使得案件重演，兇手心緒恐懼坦白從寬，認罪伏法。從此，年少的包拯一舉成名，所代表的公平、公正和正義的形象，慢慢被民眾熟知，被民眾所擁戴。

　　侵華戰(zhàn)爭時期，日本人將掠得的北京猿人頭骨偷運回國，途中沉沒，成為一樁疑案。當(dāng)年日本人將頭骨化石偷運回國，隱藏幾十年后，在和平環(huán)境下重新進行研究。他們將頭骨化石中的DNA殘片提取出來，進行培育，然后送入太空，據(jù)說這樣便可以憑借太空中的粒子幅射，使其蘊育成熟。不料，載著北京猿人胚胎的飛船失事，墜入海島，而北京猿人卻成功地誕生了。　　而王祖賢扮演的中國美麗女間諜的使命就是將北京猿人偷運回國，從此便和日本科學(xué)家展開了明爭暗斗。最后，雙方不分輸贏，而是達成了共識：北京猿人不是任何一國的財富，他們屬于大自然。于是，猿人一家三口和一只同樣由基因技術(shù)復(fù)制出來的猛瑪象被放歸了自然。