微交少女
延續(xù)1982年賣座電影《靚妹仔》奇蹟，由《明媚時(shí)光》香港電影金像獎(jiǎng)最佳新晉導(dǎo)演提名翁子光編導(dǎo)、《天水圍的日與夜》香港電影金像獎(jiǎng)最佳編劇呂筱華編劇、《囡囡》《喜愛(ài)夜蒲》系列伍健雄監(jiān)制，將當(dāng)代社會(huì)委靡面貌及迷失少女的叛逆青春，再一次真實(shí)呈現(xiàn)。三十年前，《靚妺仔》充份反映當(dāng)時(shí)叛逆未成年少女實(shí)況，時(shí)至今日，時(shí)代變遷，2013年的未成年少女出賣身體的情況變本加厲，由「魚蛋妺」、「老泥妹」到現(xiàn)在的「援交妹」、「Part-time girlfriend」，她們已不是過(guò)去的「迫良為娼」、「為勢(shì)所迫」，而是更加「我行我素」、「沒(méi)有包袱」、「放縱失控」。
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我的老婆是明星
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公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.