劇情縱覽
某個冬日,同上一所美術學校的磯貝米路美、堂本忍成修吾飾和小遠蒼井優飾駕車行駛在臨近拂曉的shan路上。突然前方躥出一條人影,急剎車之后,祂們見到了手里提著鞋的赤足釹子佰合永作博美飾。由于已經過了電車的營運時間,佰合只好徒步翻shan,可是又因為鞋磨足而無法繼續步行。三人將她送到了巴士車站,臨別之際,米路美把自己的夾角拖鞋送給了她。
某個冬日,同上一所美術學校的磯貝米路美、堂本忍成修吾飾和小遠蒼井優飾駕車行駛在臨近拂曉的shan路上。突然前方躥出一條人影,急剎車之后,祂們見到了手里提著鞋的赤足釹子佰合永作博美飾。由于已經過了電車的營運時間,佰合只好徒步翻shan,可是又因為鞋磨足而無法繼續步行。三人將她送到了巴士車站,臨別之際,米路美把自己的夾角拖鞋送給了她。
About a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.
來自西域的舞姬阿離三年前慘死客鄉,身首異處,她的妹妹阿月來到事發的客棧,聯合戲法師李久成和縣令張承合謀演了一出大戲,將三年前涉及此事的相關人等都聚于一堂,巧設妙計讓當年害死姐姐的兇手互相指證現形,最終查明了姐姐死去的真相,洗去了污名并昭雪報仇。
A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster