我愛你，我也不愛你

? 5.1 播放：81萬 2026-04-25

別名Je t aime moi non plus 影片講述一個同性戀愛上了一個假小子式的女孩，而他愛上她的原因也是因為最初他以為她是男孩。而她愛上他只是因為他是男人。當她確證他是同性戀時非常痛苦，但為了保持相愛享受x愛，她讓他插g。可是最后他還是和他的男友走了，留下她疼痛地蜷縮在地。電影的場景和鏡頭充滿了陌生一些讓人覺得不可入畫的元素：近乎荒蕪蕭條的小鎮，垃圾場，年輕的垃圾搬運工，但是他們又有他們的時髦 總之有些和;時代 格格不入，卻正和這怪異的愛情協調，如此的不概念化和陌生，似乎電影來自一個真實事件或者導演的真實經歷事件一旦過于真實和觸目驚心，創作者將難以割舍當時當地的真實場景一草一木，否則他將感到那樣的觸目驚心一損俱損。 　　

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? 播放 我愛你，我也不愛你

劇情提要

別名Je t aime moi non plus 影片講述一個同性戀愛上了一個假小子式的女孩，而他愛上她的原因也是因為最初他以為她是男孩。而她愛上他只是因為他是男人。當她確證他是同性戀時非常痛苦，但為了保持相愛享受x愛，她讓他插g。可是最后他還是和他的男友走了，留下她疼痛地蜷縮在地。電影的場景和鏡頭充滿了陌生一些讓人覺得不可入畫的元素：近乎荒蕪蕭條的小鎮，垃圾場，年輕的垃圾搬運工，但是他們又有他們的時髦 總之有些和;時代 格格不入，卻正和這怪異的愛情協調，如此的不概念化和陌生，似乎電影來自一個真實事件或者導演的真實經歷事件一旦過于真實和觸目驚心，創作者將難以割舍當時當地的真實場景一草一木，否則他將感到那樣的觸目驚心一損俱損。 　　

幕后花絮

失控2018

　　李·佩斯出演美國傳奇汽車公司德勞瑞恩的創始人——天才汽車設計師約翰·德勞瑞恩，影片設定在1980年代，德勞瑞恩創建還沒幾年，正在崛起，聚焦約翰和蘇戴奇斯飾演的Jim Hoffman的關系。Hoffman看似有趣迷人，其實他是一名前詐騙犯，現在為FBI工作，他來約翰這里當臥底，想要控告其販毒。兩人建立的一段有趣的bromance也很快急轉直下，行差踏錯。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster