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赤腳大仙
彭禺厶,許媛媛,林昊然
沉默的艦隊2
大澤隆夫在酷寒的北方海域,核潛艇大和號伴隨著莫扎特的旋律,開始了駛向紐約聯(lián)合國總部的深海航程。在美俄交界的白令海峽,一艘性能全面碾壓大和號的美國核潛艇正悄然逼近。此刻,寒冷的北冰洋上,碎裂的浮冰之間,一場激戰(zhàn)就此拉開帷幕。
最偉大的時光
艾斯林·貝亞,馬修·麥克諾提,愛麗絲·洛維,伊莎貝爾·貝爾納多,埃瑪·阿莫斯,羅拉·麥克唐納,齊吉·希思,馬克·伍頓,阿爾弗雷多·塔瓦雷斯,Jayde Adams,安馬卡·奧卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou露絲·威爾森、庫什·珍寶、裴淳華正商談主演改編自大熱音樂劇《The Band》的新片[最偉大的時光](Greatest Days,暫譯)。影片由科奇·吉爾佐(《名姝》)執(zhí)導,片名靈感源自英國流行組合接招合唱團(Take That)的同名歌曲。故事圍繞著五名女學生展開,她們在自己最喜歡的男孩樂隊的演唱會上,度過了一生中最難忘的夜晚。25年后,她們的生活以及生活方式發(fā)生了翻天覆地的變化,她們相聚在一起回望過去并探索未來。接招合唱團成員包括加里·巴洛、霍華德·唐納德、杰森·奧蘭奇、馬克·歐文和羅比·威廉姆斯。環(huán)球音樂集團將全力助陣該項目,接招合唱團的大量歌曲將獲得使用,包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲將全部在影片中呈現(xiàn)。
AUNTY當網紅
飛行家2025
蔣奇明,李雪琴,董寶石,姜武,楊玏,蔣易,雷佳音,董子健,王彥霖,歐劍宇,英澤,鄭昊森,周鐵男,鵬飛,韓秀一,周小川,郝奕鳴,趙海濤,鞠可兒,劉亦淳影片講述東北“犟種”李明奇(蔣奇明 飾)和他的妻子高雅風(李雪琴 飾)如何用一輩子的時間,守護一個“飛上天”的大夢想。在生活的重壓下,這個夢想時而成為謀生的工具,時而又成為照亮絕境的唯一光芒。為了托起沉甸甸的生活,李明奇從599米的高空一躍而下,對命運做出勇敢反擊。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.