哥哥和我
A暫無內(nèi)容story暫無內(nèi)容about暫無內(nèi)容Down's暫無內(nèi)容syndrome暫無內(nèi)容of暫無內(nèi)容a暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容named暫無內(nèi)容Leon.暫無內(nèi)容After暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容died暫無內(nèi)容a暫無內(nèi)容hero暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容stay暫無內(nèi)容and暫無內(nèi)容live暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容sister.暫無內(nèi)容However,暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容trying暫無內(nèi)容to暫無內(nèi)容improve暫無內(nèi)容her暫無內(nèi)容personal暫無內(nèi)容life暫無內(nèi)容and暫無內(nèi)容her暫無內(nèi)容only暫無內(nèi)容brother暫無內(nèi)容is暫無內(nèi)容an暫無內(nèi)容underdeveloped暫無內(nèi)容hindrance暫無內(nèi)容...
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A暫無內(nèi)容story暫無內(nèi)容about暫無內(nèi)容Down's暫無內(nèi)容syndrome暫無內(nèi)容of暫無內(nèi)容a暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容named暫無內(nèi)容Leon.暫無內(nèi)容After暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容died暫無內(nèi)容a暫無內(nèi)容hero暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容stay暫無內(nèi)容and暫無內(nèi)容live暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容sister.暫無內(nèi)容However,暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容trying暫無內(nèi)容to暫無內(nèi)容improve暫無內(nèi)容her暫無內(nèi)容personal暫無內(nèi)容life暫無內(nèi)容and暫無內(nèi)容her暫無內(nèi)容only暫無內(nèi)容brother暫無內(nèi)容is暫無內(nèi)容an暫無內(nèi)容underdeveloped暫無內(nèi)容hindrance暫無內(nèi)容...
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獵殺大行動
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手遮天
底層捕快薛不疑（劉峰超 飾）因不諳世故遭同僚排擠，憋屈十年。一樁賑災(zāi)銀盜竊案他淪為替罪羊。絕境中，他受老師黃士寧（淳于珊珊 飾）搭救，與師弟李震（袁福福 飾）再度合作，然而錢外有錢官外有官，他被迫成為高官手中的“犬牙”……在這黑暗世道，他是會選擇做一只聽話的鷹犬，還是掙脫這巨 手成為啄天之鷹？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.