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美麗新世界
Julie Cobb,巴德·庫特,凱爾·杜拉,朗·奧尼爾,瑪西亞·斯特拉斯曼,迪克·安東尼·威廉姆斯,瓊內爾艾倫,珍內塔·阿爾內特本片改編自“ 阿道司·赫胥黎 ”同名小說。一個在原始社會長大，通過閱讀莎士比亞自學的野蠻人，突然有一天加入了他父母所在的未來社會。然而，他不能適應他們的生活方式……
美食總動員
帕頓·奧斯瓦爾特,伊安·霍姆,盧·羅曼諾,布萊恩·丹內利,彼得·孫,彼得·奧圖爾,布拉德·加內特,詹妮安·加羅法洛,威爾·阿奈特,詹姆斯·瑞馬爾,約翰·拉森貝格,泰迪·牛頓,托尼·弗希勒,杰克·斯坦菲爾德,布拉德·伯德,林賽·柯林斯,布拉德·劉易斯,洛麗·理查德森,邁克·吉亞奇諾小老鼠雷米在嗅覺方面有著無與倫比的天賦，不想過與垃圾堆為伴的生活，心懷成為五星大廚的夢想?！ ∫粋€偶然的機會，他認識了古斯特餐廳的學徒林奎尼，這個倒霉的學徒生性害羞，在廚藝上更是沒有什么天賦，并且遭到餐廳大廚的排擠，即將被解雇。這一人一鼠結成了奇特的聯盟：雷米奉獻自己極富創造力的大腦。操作林奎尼前臺“表演”?！ ≡诶酌椎膸椭?，林奎尼不但成為新的“天才廚師”，獲得了美女同事的愛情，還挫敗了大廚的陰謀，成為古斯特餐廳的合法繼承人。突如起來的成功讓林奎尼有些不知所措，想擺脫自己的傀儡身份，把雷米趕出了廚房?！ 」潘固夭蛷d的成功，引起了苛刻的美食評論家科隆的注意，準備一嘗林奎尼的手藝，重新為餐廳評定星級；而不甘失敗的前大廚，蠢蠢欲動，想要找到林奎尼一夜成名的秘密。失去了雷米，林奎尼該如何面對這些問題……
養鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley第一集中，少女克莉斯蒂（Ashley Laurence 飾）的家庭遭受魔鬼賽諾貝斯的摧殘，親人相繼死亡，她本人也被送入精神病院治療。除了醫生助手凱爾（William Hope 飾）外，沒人相信克莉斯蒂的離奇故事。當瘋狂的醫生菲利普?切諾德（Kenneth Cranham 飾）從助手口中得知少女的經歷后，他決定將惡魔重新帶回人間。業已死亡的繼母朱莉（Clare Higgins 飾），在這個變態狂人的喂養下再次復活……
驅逐
杰西卡·布朗·芬德利,西恩·哈里斯,約翰·林奇,杰森·索普,亞當·赫吉爾,約翰·赫夫南,安雅·麥肯納-布魯斯,詹姆斯·斯旺頓,柯基·法爾考,西姆斯·奧尼爾,Danny Shayler,Amy Trigg,Nigel Travis,Jean St. Clair,Matthew Clarke改編自1930年代英國真實事件，一位牧師萊納斯（約翰·赫夫南 飾）被教會任命為代理牧師，他帶著妻子瑪麗安（杰西卡·布朗·芬德利 飾）與女兒小愛搬進一座神秘莊園。 但在他們入住這間屋子不久后，奇怪事情接二連三發生，除了在半夜會聽見呢喃聲，還會看見陌生的修道士身影，女兒小愛的行為也越來越陌生，隨著被騷擾的次數越來越多，萊納斯和瑪麗安不得不尋求著名的捉鬼專家哈利（西恩·哈里斯 飾）幫忙。 他們必須一起揭開真相，找出這棟房子的超自然力量還有它可怕且驚人的過去……
我很在乎
裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內西,珍妮爾·費格利,杰米·加扎里安,阿德里安·M·蒙波因特瑪拉（裴淳華 Rosamund Pike 飾）經營著一家監護人公司，她專門尋找身體情況欠佳同時又無依無靠的老年人下手，通過并不是那么合法的手段令自己成為他們的法定監護人，將他們送進療養院，之后便可接手和變賣他們的財產和房產，再將所得據為己有。 某日，瑪拉將下一個“吞噬”的目標放在了一位名叫珍妮弗（黛安娜·維斯特 Dianne Wiest 飾）的老太太身上，經調查，珍妮弗沒有任何的親人，同時又擁有著價值不菲的遺產，簡直就是他們的最佳“肥羊”。在一番操作之后，珍妮弗被沒收手機關進了療養院，但此時的瑪拉和她的戀人兼合伙人弗蘭（艾莎·岡薩雷斯 Eiza González 飾）并不知道的是，她們惹上了一個不該惹，也不能惹的人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.