在線看
同款熱播
觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨一對老友在公路旅行中被困沙漠，屢次求助無門酷暑難擋使他們暴力相向。
玩命魔術
林更新,劉添月,劉家輝,午馬,周放魔術師社長杜新月一直想要得到業內早已經失傳的傳奇魔術秘笈《三式詳解》，然而擁有該秘籍的童鐵卻拒絕將它交給心術不正的杜新月。憤怒之中，杜新月買通了童鐵的助手，讓她在童鐵表演逃脫魔術的道具上做了手腳，導致童鐵在表演過程中慘死。不僅如此，他們還繼續迫害知道秘籍下落的童鐵的兒子童行。 根據父親留下的項鏈，童行來到了龍泉寺，在那里的方丈將《三式詳解》交給了他，可就在這個節骨眼上，一直尾隨童行的方教授現身搶走了秘籍，然而螳螂捕蟬黃雀在后，杜新月緊隨其后打倒了方教授，試圖搶奪秘籍，最終會鹿死誰手呢？
多力特的奇幻冒險
小羅伯特·唐尼,湯姆·赫蘭德,拉米·馬雷克,麥克·辛,杰西·巴克利,艾瑪·湯普森,拉爾夫·費因斯,安東尼奧·班德拉斯,瑪麗昂·歌迪亞,賽琳娜·戈麥斯,約翰·塞納,卡門·艾喬戈,庫梅爾·南賈尼,奧克塔維亞·斯賓瑟,拉爾夫·伊內森,吉姆·布勞德本特,克雷格·羅賓森,弗朗西斯·德·拉·圖瓦,卡夏·斯穆特尼亞克,奧利弗·庫珀史密斯,尼克·穆罕默德,托尼婭·科妮斯,薩克·霍蘭,納西爾·賈瑪,貝恩·科拉科,約瑟夫·巴德拉瑪,薩姆森·卡約,史蒂芬·薩姆森,塔希爾·布爾漢,保羅·霍洛瓦蒂故事發生在英國維多利亞女王（杰西·巴克利 Jessie Buckley 飾）統治時期，多力特（小羅伯特·唐尼 Robert Downey Jr. 飾）擁有著能夠和動物交談的特殊能力，和妻子一起在老家經營著一家動物醫院。 一場意外奪走了多力特妻子的生命，這巨大的打擊讓多力特封閉起了心門，拒絕和任何人類接觸。一天，一個名叫湯姆（哈里·科萊特 Harry Collett 飾）的男孩闖入了多力特的家，帶來了一只受傷的松鼠，希望多力特能夠救它。與此同時，維多利亞女王患上了一種怪病，于是派出了侍女蘿絲（卡梅爾·拉尼亞多 Carmel Laniado 飾）去拜訪多力特，請他出山。多力特所擁有的動物莊園歸屬于女王的名下，如果女王去世了，那么多力特將失去他和動物們這唯一的樂園。
昭和殘俠傳：唐獅子仁義
高倉健,藤純子,池部良,待田京介,小林千枝,志村喬風間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗這次特別篇的舞臺，是吉宗治世20多年后的江戶城。原創系列中年輕的將軍吉宗也面臨著六十大壽的繼承問題。劇中保留了系列的世界觀和魅力，在繼承問題上搖擺不定的吉宗和江戶城內的人們的模樣，以及在城下町發生的陰謀漩渦的疑難事件，將被加入新的角色和時代性來描繪。