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劇情簡(jiǎn)介
他的工作離不開(kāi)金錢、欲望與兇險(xiǎn),她則是富商的秘密情人,富商病危住院中,她卻完全見(jiàn)不到愛(ài)人。當(dāng)皮條客阿龍遇上藝?yán)冉?jīng)理乃文,孤獨(dú)的兩人搭上彼此,每一次激情都是對(duì)現(xiàn)實(shí)的逃避:阿龍有青梅竹馬的金莎要照顧,乃文也得決定肚子里的孩子何去何從。這是夜都會(huì)的紅男綠女愁語(yǔ),擁有自我是奢談,真情自然短缺。 莫允雯 、 范少勛 演出突破尺度, 溫貞菱的奔放不羈更是搶?xiě)蛄咙c(diǎn)。
同類好片
137號(hào)案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達(dá),戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森96分鐘:列車爆炸案
林柏宏,宋蕓樺,王柏杰,李李仁,姚以緹,蔡凡熙,李銘忠,黃奇斌,呂雪鳳,鄭志偉,陳雪甄,巫建和,孔令元,林昀希,鄒承恩本能反應(yīng)
安東尼·霍普金斯,小庫(kù)珀·古丁,唐納德·薩瑟蘭專撬墻腳
石天,曾志偉,黃百鳴,劉瑞琪時(shí)速72
弗蘭克·斯帕諾,喬治·阿克拉姆恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney Fulk人氣佳作
火影忍者劇場(chǎng)版:博人傳
三瓶由布子,菊池心,木島隆一,竹內(nèi)順子,中村千繪,杉山紀(jì)彰,早見(jiàn)沙織,水樹(shù)奈奈,小野賢章,森久保祥太郎,阿部敦,日野聰,高橋英則,田村由香里,增川洋一,石田彰,竹內(nèi)良太,宮田幸季,武田華,浪川大輔,安元洋貴,江川央生,菊本平,河西健吾,河合海,竹內(nèi)絢子,奧村翔,玄田哲章開(kāi)心三響炮
曾志偉,陳百祥,陳友,古嘉露火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer全面追緝令
摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內(nèi)洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾導(dǎo)演精選
蠟筆小新:灼熱的春日部舞者們
春日部防衛(wèi)隊(duì)在“春日部?jī)和瘖蕵?lè)節(jié)”舞蹈比賽中,獲得勝利,他們因此得到了前往印度的機(jī)會(huì)。在盡情享受印度旅游的過(guò)程中,小新和阿呆進(jìn)入了一家神秘的雜貨店,在那里發(fā)現(xiàn)了一個(gè)形狀像“鼻子”的背包并買下了它。然而,這個(gè)背包隱藏著一個(gè)非常可怕的秘密。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼嬰廟
幸福的三口之家,可愛(ài)的小女孩亞美卻經(jīng)常對(duì)著空氣說(shuō)話,并言稱有一個(gè)無(wú)依無(wú)靠的小弟弟跟在身邊。她的舉止令父母非常擔(dān)心,而詭異的事件也相繼發(fā)生。亞美的媽媽小萍是一所高中的老師,她的學(xué)生阿波與關(guān)兒相戀。青春男女愛(ài)火正熾,無(wú)所顧忌,終于令關(guān)兒不慎懷孕。為了免去負(fù)擔(dān)與壓力,關(guān)兒最終找到無(wú)照女醫(yī)引產(chǎn),這也正是他們痛苦的開(kāi)始。另有一美貌女明星,適值人氣下滑,而她又因不負(fù)責(zé)任的男友不斷懷孕,人生漸漸陷入困境。 在這些所謂時(shí)尚男女的附近,寂寞冷清的寺院內(nèi)痛苦悲傷的嬰靈無(wú)助哀號(hào)。各人欠債各人還,以殺生換取的幸福終究帶著濃濃的血腥……