好色上班族

5.0 播放:71萬 更新:2026-04-24
主演: 未知

日本情色男人共享一個世界觀,故事入圍妹妹愛奈很向往自我表現(xiàn)真冬,第一次認真,愛奈接受不了,感覺就是自我世界觀已經崩潰

即刻觀影

劇情賞析

日本情色男人共享一個世界觀,故事入圍妹妹愛奈很向往自我表現(xiàn)真冬,第一次認真,愛奈接受不了,感覺就是自我世界觀已經崩潰

編輯推薦

最佳女婿

張學友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜

  美發(fā)師紀阿開(張學友)、服裝設計師大眼龍(莫少聰)和風水師賴布丁(周星馳)三個死黨合伙開了一家新潮美發(fā)店,不料開業(yè)當天就與隔壁理發(fā)店老板發(fā)生爭執(zhí),幸得店老板女兒亞英(張敏)及時出手風波平息,過程中,三人皆被亞英魅力吸引,為贏其芳心,開始頻頻登其家門獻殷勤。  某次晚餐聚會后,三人爛醉與亞英誤睡一室,導致亞英懷孕,為與亞英一起生活,三人爭先恐后將準父親一職往自己身上攬,又因三人血型相同,醫(yī)院也無法驗出誰在冒名,亞英父母決定先考察三人表現(xiàn),為爭當最佳女婿,三人使盡渾身解數展開激烈角逐。

透明人與蠅男

北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗

  《透明人與蠅男 》是由村山三男導演的特攝科幻電影。一個發(fā)現(xiàn)可以把人變成和蒼蠅一樣大小的藥品的男人,開始對給自己安上戰(zhàn)犯的罪的人復仇。某個物理學家為了從蠅男的恐怖中拯救人們決心成為透明人。

龍兄鼠弟

阿諾·施瓦辛格,丹尼·德維托,凱利·普雷斯頓,科洛·韋伯,邦妮·芭利特,特雷·威爾遜,馬紹爾·貝爾,大衛(wèi)·卡羅素,休·歐布萊恩,內赫米亞·佩爾索夫,莫里·柴金,托尼·杰

  多年前科學家進行了一項創(chuàng)造完美人類的飾演,沒想到實驗過程中的細胞分裂不均勻導致了這個實驗只成功了一半,另一半則完全失敗。科學家創(chuàng)造出來的這對雙胞胎兄弟一個是完美人類的典型――德智體美全面發(fā)展的高大的朱利斯(阿諾?施瓦辛格 Arnold Schwarzenegger 飾);另一個則是人類所有缺點的集合體――小矮個文森(丹尼?德維托 Danny DeVito 飾)。兄弟兩一出世就被分離,朱利斯被科學家送到南海的一個小島上撫養(yǎng)長大,而弟弟則在孤兒院度過了他的童年。  直到兄弟兩已過不惑之年,他們才知道了對方的存在。朱利斯與未曾謀面的兄弟文森重逢后,兩兄弟決定踏上尋找親生母親之路。但是這時,一場意外給他們惹來了殺身之禍。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

重返寂靜嶺

杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪蒂娜·理查茲,霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特

 在愛人神秘信件的召喚下,詹姆斯(杰瑞米·艾文 飾)重新回到了充滿著秘密和詭譎的寂靜嶺。但當他踏入這座小鎮(zhèn)的那一刻卻開始了無盡極限逃生模式:永不停歇的防空警報撕裂耳膜,漫天余燼籠罩大地,熟悉的街道扭曲成噬人的迷宮,三角屠夫、無臉血腥護士、未知詭異生物無處不在,步步緊逼。現(xiàn)實與幻象在寂靜嶺徹底崩塌,詹姆斯一邊躲避致命追殺,一邊試圖用破碎的記憶拼湊出真相。

蹂躪

布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗

  When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.