與公公偷腥的兒媳

4.7 播放:41萬 更新:2026-04-24
主演: 陳瑞 石暑 車明勛 金智媛 

賢珠因為懷疑丈夫燦植不忠,兩人成為了無性伴侶。有一天,她到公公家照顧因一場事故而暫時獨自生活的公公萬根,而沒有妻子束縛的燦植開始跟員工搞起了外遇,被父親發現后,父親與兒媳的關系也開始變得微妙起來..

即刻觀影

劇情賞析

賢珠因為懷疑丈夫燦植不忠,兩人成為了無性伴侶。有一天,她到公公家照顧因一場事故而暫時獨自生活的公公萬根,而沒有妻子束縛的燦植開始跟員工搞起了外遇,被父親發現后,父親與兒媳的關系也開始變得微妙起來..

編輯推薦

薩利姆鬼屋事件

小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone

  新警長一家住進了免費的一個很大的老房子里,但里面卻有....  The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.

牙狼大河

北田祥一郎,神嶋里花,波岡一喜,ひょうろく,肥後克広,瀨戶利樹,影山浩宣,大西雅樹

出生于繼承“黃金騎士GARO”稱號的魔戒騎士家族的冴島大河,繼承了黃金鎧甲,終日與魔獸霍拉戰斗著。某天他接到指令,要求奪回被霍拉·蛇道奪走的魔導具“羅盤”。羅盤中封存著守護人類,掌管著人界的安寧的青龍、朱雀、玄武、白虎的四圣獸之魂。大河與侍奉圣獸祠堂的魔戒導師·吹奇一同挺身而出,誓要奪回羅盤......

林肯大戰僵尸

小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail

  19世紀,經歷了影響深遠的南北戰爭,美國終于迎來了新的時代。亞伯拉罕·林肯(比爾·奧伯斯特 Bill Oberst, JR 飾)接連取得與人類的勝利,卻不得不面對新的敵人。他麾下一直部隊在巡察途中遭遇活死人,三十人僅有一人幸存,但由于驚嚇過度精神失常。北方政府懷疑這是南方的最新武器,于是計劃派出一支12人的小分隊深入敵后,救出被困的人員。勇猛無敵的林肯見識了活死人的威力,自告奮勇帶部隊向南方進發。在目標要塞,他們遭遇了數量龐大的活死人軍團,這群怪物的殘忍更遠遠超出他們的想象。  死亡救援之旅漫長難熬,偉大的林肯總統能否帶著他的子民逃出生天……

網絡迷宮

克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡

  2005年圣節前3天,電子游戲設計員米正在趕制全新游戲-極樂迷宮,準備在圣誕日推出面大量發售.豈料異變突然發生,游戲里的主角蘇被病毒感染產生自主意志,厭倦了打打殺殺無限續局的殘酷生涯,要求杰米刪除游戲程式,另一邊廂,電腦集團又派人催促杰米趕快交貨,進退維谷的,他只好兵行險著,策動一場網絡革命……

大廚

讓·雷諾,邁克爾·揚,Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière

  德高望重的亞歷山大(讓·雷諾 Jean Reno 飾)多年來一直是米其林餐廳的三星主廚,但是近來他的境遇卻屢現危機。當下的法國料理界正是”分子料理”風靡,傳統料理日漸衰落的時代,亞歷山大所堅持的傳統料理很有可能會在即將到來的星級評審中落敗,餐廳的小開更是翹首以盼可以就此炒了他。正當亞歷山大焦頭爛額之時,一名名不見經傳的小廚師杰克(邁克爾·揚 Micha?l Youn 飾)出現了,杰克是亞歷山大食譜的忠實追隨者,卻因對料理的狂熱固執屢次失業,只好在養老院找了份油漆工作。一個偶然的機會,亞歷山大讓杰克到他的餐廳實習,杰克與生俱來的料理天分和另辟蹊徑的烹調創意令亞歷山大大為賞識,很快成為其左右手。星級評審越來越近,兩位傳統烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢?

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster