在線播放
劇情簡介
眉女從馬來西亞被誘騙來香港賣淫, 在架步認識了負責保安的阿龍, 兩人發生肉體關系, 且因此而墮入愛河, 夜總會老板娘朗朗見阿龍便對他產生欲念, 且要占有他. 為了到阿龍, 老板娘使出了奸計, 將他們兩人分開, 朗的陰謀最后被識破, 大發雷霆要將兩人置於死地.
同類好片
警察游戲
杰克·約翰遜,小達蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯超級精英
瑪麗安娜·德尼庫爾,喬納森·科恩,皮埃爾-安·勒·博甘,托馬斯·布倫門塔爾,愛麗絲·伊薩,吉恩-巴蒂斯特·拉法基誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優守株人
楊紫,駱達華,杜奕衡,劉筱筱,林雪,林妙可小鎮殺手
尼可拉斯·布若,烏爾里奇·湯姆森,Mia Lyhne,琳恩·瑪麗亞·克里斯滕森,馬辛·多洛辛斯基,Gwen Taylor,索倫·莫靈,碧爾特·諾伊曼,Ole Thestrup,Elsebeth Steentoft,Joel Spira,珍斯·安德森,Alexander Behrang Keshtkar,約翰·路易斯·施密特,Mikkel Arendt,金·柯爾德黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德導演精選
怪物計劃
一個想拍攝出恐怖紀錄片的劇組在網路上發布了試鏡公告,表明他們要找尋隱藏于現實生活中的駭人怪物,沒想到有三個自稱獸行者、吸血鬼與惡魔的報名者要前來試鏡。他們相約于月全蝕之夜,在一棟森林中的偏遠豪宅見面,原本只是要請對方分享自己的靈異經驗,沒想到竟弄假成真,變調成一場揮之不去的恐怖夢魘。
太空異種2026
未來世界,在一艘名為“蒼穹號”的飛船上,船長梁承天帶領著船員們經常在星際之間從事采集礦物質的買賣,以此來獲得巨大的經濟利益。雖然他們在多次采集過程中偶爾會遇到危險,但最終也都能安全返航。 直到這次,梁承天帶著船員們在銀河系中,意外找到一顆六千萬年前爆炸的超新星,他們在附近采集到了稀有的礦物質,從而能獲得巨額利益。可因利益分配不均,各懷心事的船員們就此踏上返航之旅。 在返航途中“蒼穹號”意外接到了一組未知的求救訊號。他們成功救下了“創世紀號”的生物學家林修遠和他的妻子Angel,而梁承天在救援的過程中也意外受傷。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster