殘酷女高生性私刑
由紀(jì)和家庭教師殉情未果,被送進(jìn)了醫(yī)院。出院后在母親的妹妹熏的家里生活。事情的起因源于同繼母恭子之間的不和。某天和熏一起上街的由紀(jì),遇上了樂隊(duì)的搭檔忍和潤子。沒有注意到由紀(jì)被盯上的熏邀請(qǐng)她們兩個(gè)一起去餐館吃飯,之后便去了迪廳。在那里熏因?yàn)榫屏Γ燮穑局信c酒吧間招待發(fā)生了性愛。幾天后,忍和潤子把由紀(jì)帶到了河源。因?yàn)槿虒?duì)熏的侮蔑,三人吵架吵的不可開交,路過的裝卸車上坐的兩個(gè)男子來勸說她們,并讓她們坐上車去了飯館。她們最后被帶進(jìn)了擺滿奇怪器物的黑暗的房子里,讓人震驚的性虐開始了。。。
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美食總動(dòng)員
帕頓·奧斯瓦爾特,伊安·霍姆,盧·羅曼諾,布萊恩·丹內(nèi)利,彼得·孫,彼得·奧圖爾,布拉德·加內(nèi)特,詹妮安·加羅法洛,威爾·阿奈特,詹姆斯·瑞馬爾,約翰·拉森貝格,泰迪·牛頓,托尼·弗希勒,杰克·斯坦菲爾德,布拉德·伯德,林賽·柯林斯,布拉德·劉易斯,洛麗·理查德森,邁克·吉亞奇諾小老鼠雷米在嗅覺方面有著無與倫比的天賦,不想過與垃圾堆為伴的生活,心懷成為五星大廚的夢(mèng)想。 一個(gè)偶然的機(jī)會(huì),他認(rèn)識(shí)了古斯特餐廳的學(xué)徒林奎尼,這個(gè)倒霉的學(xué)徒生性害羞,在廚藝上更是沒有什么天賦,并且遭到餐廳大廚的排擠,即將被解雇。這一人一鼠結(jié)成了奇特的聯(lián)盟:雷米奉獻(xiàn)自己極富創(chuàng)造力的大腦。操作林奎尼前臺(tái)“表演”。 在雷米的幫助下,林奎尼不但成為新的“天才廚師”,獲得了美女同事的愛情,還挫敗了大廚的陰謀,成為古斯特餐廳的合法繼承人。突如起來的成功讓林奎尼有些不知所措,想擺脫自己的傀儡身份,把雷米趕出了廚房。 古斯特餐廳的成功,引起了苛刻的美食評(píng)論家科隆的注意,準(zhǔn)備一嘗林奎尼的手藝,重新為餐廳評(píng)定星級(jí);而不甘失敗的前大廚,蠢蠢欲動(dòng),想要找到林奎尼一夜成名的秘密。失去了雷米,林奎尼該如何面對(duì)這些問題……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恐怖回音
史蒂文·布蘭德,凱特·法蘭奇 ,比利·沃斯安娜·帕克(凱特·法蘭奇 Kate French 飾)是一個(gè)美麗的女作家,當(dāng)下她正為新書做最后的沖刺,可是擔(dān)任出版編輯的男友保羅·瓦格納(史蒂文·布蘭德 Steve Brand 飾)卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感,創(chuàng)作陷入僵局。為了幫她完成工作,保羅將安娜帶到一處位于沙漠中央的別墅進(jìn)行創(chuàng)作,不過他突然有事離開,只留下安娜和一條狗。到了夜晚,安娜驚訝地發(fā)現(xiàn)有一個(gè)恐怖的人逡巡在別墅附近。她嘗試著向保羅求助,然而無法得到有效回應(yīng)。 2012-3-2,一組奇怪的數(shù)字,讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中,她終于發(fā)現(xiàn)了可怕的秘密……
美人魚村
梁家仁,于函冰,臧志中,朱鐵和,李健仁,鐘偉強(qiáng),于夏沫本片是一部跨越百年的愛情傳奇故事。講述了安宇廷因?yàn)楹闷嫘尿?qū)使陰差陽錯(cuò)地來到桃源村,從而在桃源村經(jīng)歷了種種奇遇看到美人魚,最后與村民一起同來傷害美人魚的惡勢(shì)力作斗爭,并最終取得勝利......
絕種好男人
任賢齊,張柏芝,李珊珊,葛民輝,杜汶澤,黃浩然,王天林,森美,阮小儀,劉愷威,李思捷,李楓,張文慈,黃泆潼,吳慧冰,黃琛如,王晶,張仕鏗,李霆鋒,何肇晃,黃卡娜,發(fā)爛渣,吳成達(dá),楊嘉雯,高寶云,文詩琪,葉景文,董偉強(qiáng),陸劍青,李正津因忍受不了男友Moses(任賢齊)的平凡,阿Mi狠心與他分手,塞翁失馬焉知禍福,Moses在老人院做義工時(shí),與怪脾氣老頭蛤蚧王成為忘年之交,后者死后,給他留下巨額遺產(chǎn)。蛤蚧王的此舉招致其律師Allen的不滿,他在夜總會(huì)發(fā)泄時(shí)無意中將此事告訴了小姐Didi(張柏芝)。 為將Moses釣到手,Didi使出渾身解數(shù),無奈均不奏效。發(fā)現(xiàn)Moses是絕種好男人后,Didi對(duì)他動(dòng)了真心,兩人開始熱戀,不久,Allen將Didi的原來身份相告Moses,令他異常傷心,此時(shí),阿Mi又前來要與他復(fù)合。
愛上平行時(shí)空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達(dá)·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫艾莉莎搬進(jìn)了圣彼得堡一間寬敞的公寓,公寓里的鏡子卻開始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個(gè)公寓的平行世界,只不過,在這個(gè)平行世界里生活的不是艾麗莎,而是和她搶這間公寓的派對(duì)狂人伊萬。這兩位年輕人能否認(rèn)清真愛?他們又能否讓兩個(gè)世界相連,在現(xiàn)實(shí)中相遇,只為簡單地觸碰彼此?