白白的世界
40來歲的King拋開了曾經的拳擊生涯，在塞爾維亞一座落魄的礦城里經營酒吧。多年前，他受到誘惑愛上了死黨Animal的妻子，結果導致Animal的喪命，Ruzica又被送去坐監。Animal只留下了傻瓜弟弟Zlatan，無論是出于內疚還是同情，King成了他的保護人。Ruzica出獄后嫁了一位好男人，他們的女兒Rosa個性卻十分狂野，命運將她送到了King的身邊。 幕后制作 影片是一部發生在現代的歌唱（但沒有舞蹈）版的希臘悲劇，道德模糊的人物出于激情而并非理性活動，導演也不對他們的動機做出解釋。這部影片曾在2010年瑞士洛迦洛電影節競賽單元上映，并為扮演蛇蝎女郎的佳斯娜 杜里奇摘得了最佳女主角
劇情簡介
40來歲的King拋開了曾經的拳擊生涯，在塞爾維亞一座落魄的礦城里經營酒吧。多年前，他受到誘惑愛上了死黨Animal的妻子，結果導致Animal的喪命，Ruzica又被送去坐監。Animal只留下了傻瓜弟弟Zlatan，無論是出于內疚還是同情，King成了他的保護人。Ruzica出獄后嫁了一位好男人，他們的女兒Rosa個性卻十分狂野，命運將她送到了King的身邊。 幕后制作 影片是一部發生在現代的歌唱（但沒有舞蹈）版的希臘悲劇，道德模糊的人物出于激情而并非理性活動，導演也不對他們的動機做出解釋。這部影片曾在2010年瑞士洛迦洛電影節競賽單元上映，并為扮演蛇蝎女郎的佳斯娜 杜里奇摘得了最佳女主角
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵殺大行動
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
奇幻之家
趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時雨,孫悅一支家庭樂隊，其中心是熱愛唱歌的年輕人張寓哲（徐日東升 飾），他與父親張皓（李琦 飾）爺爺張宏民（顏勤 飾）一同準備參加家庭才藝大賽。然而，一場意外的奇怪風暴卻改變了一切，在前往濟南的比賽途中，他們遭遇了閃電雷擊，引發了一次離奇的身體互換。這場突如其來的變化將他們卷入了一系列驚險和尷尬的境地，需要他們適應對方的生活和角色。與此同時，單身母親李芳玲（趙文琪 飾）和她的女兒李藍藍（宋祉璇 飾）也在前往同一家庭樂隊大賽。兩個家庭在奇怪的巧合下相遇，他們決定將這個突如其來的情況變為機遇，臨時合并成一個全新的家庭樂隊。這個組合的形成不僅是音樂的融合，更是情感、人際關系和親情的交織。
臨租家庭
布蘭登·費舍,平岳大,山本真理,香農·戈爾曼,柄本明,尼希,古川雁,金隆夫,小松裕司,長田涼子,保羅·安德里亞·迪·皮耶特羅,木村文哉,龜田梨紗,加奈·凱蒂,尾關伸嗣,筱崎志乃,楚南勇真本片講述了一位在東京落魄的美國演員的故事。他受雇于一家日本家庭租賃公司，充當門面上的“美籍演員”，由此通過扮演他人生活中的各種角色，踏上了一段意想不到的自我發現之旅。
十二個想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結菜,橋本環奈,吉川愛,萩原利久,渕野右登,坂東龍汰,古川琴音,竹內愛紗當活著比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。
港之光
館博,尾上真秀,真榮田鄉敦,黑島結菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平由藤井道人執導并編劇、與館博二度合作的本片《港之光》，以北陸港口小鎮為背景，描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中，大叔通過“某種方法”籌措資金使幸太重見光明，但彼時大叔已不在身邊。成長為青年的幸太相信著“其實大叔曾是刑警”這個小小謊言，如同追逐給予自己光明的憧憬之人般，成為了刑警。館博飾演化名三浦的“大叔”，歌舞伎界新星尾上真秀首登銀幕出演少年幸太，真榮田鄉敦詮釋青年幸太。
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