女人的呼吸

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

由藤井道人執(zhí)導(dǎo)并編劇、與館博二度合作的本片《港之光》，以北陸港口小鎮(zhèn)為背景，描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中，大叔通過“某種方法”籌措資金使幸太重見光明，但彼時大叔已不在身邊。成長為青年的幸太相信著“其實大叔曾是刑警”這個小小謊言，如同追逐給予自己光明的憧憬之人般，成為了刑警。館博飾演化名三浦的“大叔”，歌舞伎界新星尾上真秀首登銀幕出演少年幸太，真榮田鄉(xiāng)敦詮釋青年幸太。

　　一名男子打電話給孟買警方并告訴他們，他已經(jīng)把5個不同的炸彈安置在城市之內(nèi)，并已經(jīng)設(shè)定在同一時間爆炸-他希望以此交換4名恐怖分子。他是否能換回他們？背后的黑手是誰？動機(jī)又是什么呢？是否不是表面上看起來那么簡單呢？

　　Ryan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察，她的丈夫一直在為這個國家服務(wù)，她一直在幫她。瑞恩和托尼從來都不喜歡對方，而托尼試圖干涉他們的婚姻，事情變得激烈起來。但是，當(dāng)瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對丈夫的行為深表擔(dān)憂。隨著歲月的流逝，瑞恩很快就會發(fā)現(xiàn)他的噩夢在他身上縈繞著什么邪惡的存在。