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劇情簡介
在上州監(jiān)禁辦公室里一直占據(jù)著鞭子和暴力的舞臺色情行動。它從下身檢查的L體,對連夜警衛(wèi)長折磨他媽的和上州之間的劇烈爭吵是在監(jiān)獄那名經(jīng)常減少,女性起義為了搶的自由。
同類好片
彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly化身博士
弗雷德里克·馬奇,米利亞姆·霍普金斯,羅絲·霍巴德,福爾摩斯·赫伯特分秒之間
瑞切爾·布萊克,蘇茜·波特,文斯·科洛斯莫,馬丁·薩克斯,蘇珊·普賴爾,megan dale,麗莎·凱,greta carew-johns瘋狂海盜團(tuán)2
凱瑞·豪根·西德尼斯,Sienna Rosie Schei,David Leander Helgor,Lisa Stokke,哈瓦德·巴克,尼爾斯·約恩·卡爾斯塔德,杰普·貝克·勞爾森,Jan Martin Johnsen,Fridtjof Stens?th Josefsen,Terje Formoe,Charlotte Frogner,雅各布·奧福特布羅行動倒數(shù)
凱爾西·周,芬·維特洛克,丹尼爾·弗朗西斯,迪倫·比姆,Skye Little Wing Dimov Saw季節(jié)已逝
馮達(dá)·埃爾伊義特,埃杰·亞薩爾,埃爾登姆·塞諾卡克人氣佳作
蛛仙
孫藝寧,李硯,高廣澤,潘嚴(yán),劉錫明猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher復(fù)仇雙雄
奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子導(dǎo)演精選
驅(qū)魔
律師艾琳(勞拉·琳妮 Laura Linney 飾)接到一樁官司。一名神父由于用宗教手段——驅(qū)魔儀式來治療女孩艾米莉的重病,因而使得艾米莉耽誤了正確的藥物治療時間。法庭上,一場宗教與科學(xué)之爭展開了。 事件的開端,源于19歲女大學(xué)生艾米莉(珍妮弗·卡彭特Jennifer Carpenter飾)的恐怖遭遇。她在大學(xué)宿舍睡覺時,感覺有靈異惡魔來侵,接下來更為驚悚的事情陸續(xù)發(fā)生。艾米莉一反常態(tài),她變得雙眼發(fā)黑,行為怪異,整日活在猶豫惡魔纏身的夢魘中,艾米莉無法控制自己的意志,痛苦得生不如死。家人為她找來精神病醫(yī)生,卻毫無起色。無奈下,請來神父(湯姆·威爾金森 Tom Wilkinson 飾)一探究竟,才得知艾米莉被遠(yuǎn)古六惡魔上了身。萬魔纏身的她,只有通過宗教儀式進(jìn)行驅(qū)魔,才有可能逃出生天。 神父的驅(qū)魔并沒有挽救艾米莉,還引來了控告。無神論者卻認(rèn)為,惡魔纏身是無稽之談。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蠅變深淵
該片是一部融合科幻驚悚與人性拷問的電影。影片以虛構(gòu)的西岸港為背景,講述了新聞記者濮欣(徐冬冬飾演)在調(diào)查跨國企業(yè)賽爾斯集團(tuán)的污染事件時,意外卷入一場由其父親濮教授(張德暉飾演)所在的孤島實(shí)驗(yàn)室引發(fā)的基因?yàn)?zāi)難。當(dāng)實(shí)驗(yàn)創(chuàng)造出嗜血變異昆蟲并失控后,集團(tuán)為掩蓋真相切斷聯(lián)系、銷毀證據(jù),使被困者陷入絕境。為尋找失聯(lián)的父親,濮欣與男友江海(婁淇試驗(yàn))潛入死島,在怪物橫行、通訊斷絕的險境中,逐步揭開實(shí)驗(yàn)背后的殘酷陰謀。