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金剛不壞2024
喬杉,柳巖,梁龍,孫陽(yáng),楊新鳴,桑平,劉長(zhǎng)純,代樂(lè)樂(lè)金剛回到了自己曾經(jīng)生活的地方，然而一切早已物是人非。這時(shí)，一起拐賣(mài)兒童的事件意外發(fā)生，金剛以一個(gè)局外人的身份開(kāi)始尋找被拐的女孩，在這個(gè)過(guò)程中他的過(guò)往也依舊在糾纏著他…… 金剛將不得不面對(duì)自己最不愿意正視的傷痛……
偽叛國(guó)者
威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫?qū)て杖R斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴(lài)希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達(dá)爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑1942年，生活在斯德哥爾摩的瑞典籍美國(guó)石油商人埃里克?埃里克森突然發(fā)現(xiàn)自己上了美國(guó)的納粹合作者黑名單，急于辨白。而這一切是盟軍情報(bào)機(jī)關(guān)的安排，意在逼迫埃里克成為間諜，因?yàn)樗梢苑奖愕剡M(jìn)出德國(guó)。無(wú)奈的埃里克只得就范，他開(kāi)始公開(kāi)表現(xiàn)親近納粹，甚至不惜傷害最親密的猶太人朋友坎普爾。朋友和親人們都疏遠(yuǎn)了他，但只有坎普爾暗中相信埃里克這樣做必有難言的原因。 很快，埃里克就和德國(guó)人拉上了關(guān)系，并將德國(guó)石油業(yè)巨頭格哈德?奧倫道夫爵士、石油商人奧托?豪茲拉下水，組成一個(gè)間諜小組，他的代號(hào)為“萊德”。 同時(shí)，埃里克與篤信宗教的德國(guó)地下抵抗組織成員瑪麗亞娜取得聯(lián)絡(luò)，喬裝成情人幽會(huì)，騙過(guò)監(jiān)視的蓋世太保，不斷將她提供的情報(bào)記憶下來(lái)后帶回瑞典。埃里克與瑪麗亞娜為了事業(yè)均是家庭不幸，兩個(gè)人傾心相戀。埃里克雖是諜海新兵，但他沉著堅(jiān)毅，多次避過(guò)危險(xiǎn)。 在奧倫道夫的努力下，埃里克獲準(zhǔn)在瑞典為德國(guó)“建設(shè)”煉油廠(chǎng)，于是得到了參觀(guān)德國(guó)石油工廠(chǎng)的機(jī)會(huì)，一次，埃里克與奧倫道夫目睹納粹絞死罷工工人的場(chǎng)面，被深深觸動(dòng)，開(kāi)始由被迫工作轉(zhuǎn)向自覺(jué)行動(dòng)。他們的情報(bào)使盟軍得以準(zhǔn)確轟炸，令德國(guó)損失慘重。 一段時(shí)間后，奧托因病去世，由于密信可能泄露，盟軍情報(bào)機(jī)關(guān)決定停止埃里克小組的活動(dòng)。但埃里克惦念瑪麗亞娜，同時(shí)也為了取回至關(guān)重要的納粹航空燃料生產(chǎn)情報(bào)，他毅然再次前往德國(guó)。埃里克一到柏林就被關(guān)進(jìn)蓋世太保監(jiān)獄，并親眼看到因身份暴露被捕的瑪麗亞娜殉難。但他強(qiáng)忍悲痛，咬定自己只是瑪麗亞娜的情人，蓋世太保沒(méi)有證據(jù)只好放人。 埃里克從格哈德處拿到情報(bào)，又前往漢堡銷(xiāo)毀奧托的密信，不料被跟隨的蓋世太保察覺(jué)。埃里克機(jī)智逃脫，并與漢堡的盟國(guó)諜報(bào)網(wǎng)取得聯(lián)系，在地下組織和丹麥百姓的幫助下，埃里克越過(guò)邊境，經(jīng)哥本哈根渡過(guò)海峽，安全返回瑞典。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愿大家擁有幸福
古川琴音,松大航也,橋本和雄本作は田舎に住む祖父母に會(huì)いに行く看護(hù)學(xué)生の孫を主人公にした物語(yǔ)。孫は家族水入らずで幸せな時(shí)間を過(guò)ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。
臨時(shí)家族
張雙利,盛朗熙,李洛伊一個(gè)陷入瓶頸期的女演員，一個(gè)北京胡同孤僻老炮。一個(gè)姥姥帶大的熊孩子，一個(gè)失敗中年男人。這分別來(lái)自北漂，留守，離異，孤寡的四個(gè)人因?yàn)橐粓?chǎng)騙局被迫組成臨時(shí)的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們?cè)诶硐肱c現(xiàn)實(shí)中困頓，在希望與孤寂里掙扎。在這臨時(shí)的親情里回望各自真正的血緣。而在歡聲笑語(yǔ)的身后，又有多少不為人知的傷心往事..
過(guò)家家2026
成龍,彭昱暢,張佳寧,潘斌龍,李萍,牛犇,劉敏濤,馮兵,李宗恒,芮丹尼,黃才倫,老四,黃炎,韓棟,張國(guó)慶,劉頔,劉洋,陳昊明,那家威,楊帆,永辰,李洪權(quán),胡笑源,傅曉娜,韓沐霏,李太言,朱秈秈遠(yuǎn)離家鄉(xiāng)的租客鐘不凡（彭昱暢 飾）被老房東任爹（成龍 飾）誤識(shí)成離家多年的兒子，囊中羞澀的鐘不凡不得不與獨(dú)自漂泊的租客蘇曉月 (張佳寧 飾)、斜杠中年房屋中介賈爺 (潘斌龍 飾)、對(duì)任爹關(guān)懷備至的鄰居金珍姑 (李萍 飾)相聚在同一屋檐下，不是一家人，硬進(jìn)一家門(mén)。當(dāng)鐘不凡被任爹不定時(shí)發(fā)作的糊涂折磨得死去活來(lái)時(shí)，卻發(fā)現(xiàn)了老人深藏多年的秘密……