她愛,歐洲

2.8 播放:41萬 更新:2026-04-23
主演:未知

Europe on the verge of social and economic change. A close up into the shaken vision of four couples, daily struggles, fights, kids, sex and passion. A movie about the politics of love. Le cinéma politique fait l'amour.

播放通道

詳細簡介

Europe on the verge of social and economic change. A close up into the shaken vision of four couples, daily struggles, fights, kids, sex and passion. A movie about the politics of love. Le cinéma politique fait l'amour.

同類推薦

壯志千秋

理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾

 故事發生在美國西部大開發時期,燕西(理查德·迪克斯 Richard Dix 飾)帶著妻子莎布拉(艾琳·鄧恩 Irene Dunne 飾)千里昭昭來到了廣袤而又荒蕪的俄克納馬拉,心里懷揣著遠大的理想,希望能夠在這里做出一番建樹。俄克納馬拉的生活環境十分艱苦和險峻,然而,夫妻兩人同心協力,慢慢改善和建立著他們的家園。在日子漸漸穩定的過程中,在當地生活的牧場主們感到他們的利益受到了侵犯,他們常常會找燕西的麻煩,卻又被燕西用智慧巧妙的化解。燕西十分同情在當地生活的印第安土著,與此同時,嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨,隨著時間的推移,雙方的矛盾漸漸尖銳起來。

偽裝大師1:維多女人

陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳

  關鍵一晚終于來臨,黃渤扮演的黃總,邀請收藏愛好者來自己家參觀,藺先生如今也是其中一員,帶著王森來了。藺先生發現黃渤家里有三幅《維多女人》仿品,都是有一定年頭的值錢貨,但藺先生從特定角度,發現了其中一幅畫的標記,這是王森之前交他辨別真假的方法,王森也證明的確是真品。藺先生發現這是真品后非常激動,要趁別人都沒發現之前買下這幅畫。黃渤看藺先生這么感興趣,開玩笑般開出天價,藺先生立刻答應,并且要求當場成交。  成功了!派對上,黃渤把錢撒向空中,大家激動分錢,王森卻不在。  王森突然接到電話,得知夏天竟然被陶碩綁架,陶碩威脅王森交回畫,否則殺了夏天。王森一生中從未如此緊張失措過,他和黃渤立刻回去找藺先生,沒想到藺先生像是變了一個人,精明地可怕,要王森拿出三倍的價買回《維多女人》,黃渤提醒王森夏天還有一個小時就要被殺,王森下定決心,用自己收藏的一屋子藝術品來換這幅畫。  時間緊迫,王森讓黃渤去家中拿藝術品,而自己先拿畫去救夏天。王森回到綁架現場卻一無所有,黃渤也聯系不上了,只有他手上那幅畫,這時他才發現,手上那幅畫,上面有自己的簽名,這是最初自己偽造的那副假畫。  王森瘋了一般,他回到家,空空蕩蕩,所有值錢的東西都被卷走 ……

浪扼三焦

卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊

艾瑪在夜深人靜的時候被帶走了,渾身是瘀傷,意外懷孕了。在婦女庇護所找到了一個新家,她重新發現了自己失去的一面。在住在避難所的婦女和兒童中,個人創傷交織在一起。盡管他們有分歧,但一種微妙的姐妹情誼出現了。“一部關于女性為自尊和獨立而戰的電影,面對一個剝奪她們發言權的世界。這部電影將觀眾帶到了一個女性避難所的墻壁后面,向他們展示了一個令人驚訝的充滿活力的世界,那里的生活正在重建。如果有痛苦,也有力量、快樂和希望。角色和他們的故事植根于真實的經歷和情感,由演員和非演員共同扮演。情感誠實至關重要”。導演的筆記。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

瘋狂的麥克斯:狂暴女神

安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內森·瓊斯,喬什·赫爾曼,大衛·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨

  影片講述了復仇女神弗瑞奧薩(安雅·泰勒-喬伊 Anya Taylor-Joy 飾)驚心動魄的成長史。年輕的弗瑞奧薩從原本的家園被掠走,落入軍閥狄門特斯(克里斯·海姆斯沃斯 Chris Hemsworth 飾)領導的幫派手中,在穿過荒原時,他們來到不死老喬(拉黑·休姆 Lachy H ulme 飾)所掌管的堡壘。在兩位暴君爭奪統治地位的同時,弗瑞奧薩必須在重重考驗中活下來,并想方設法尋找回家的路;她也逐漸成長為利落酷颯的狂暴女神。