近親

8.4 播放:19萬(wàn) 更新:2026-04-25
主演: 一石 茶英金 藝苑 

韓國(guó)2000年限制級(jí)電影,劇中同父異母的弟弟連姐姐都不放過(guò) hellip; hellip;美軍部隊(duì)里賣的妓女的女兒海洋和沙的同父異母的哥哥一起拍新的童年。有一天,媽**眼睛對(duì)美軍和3只留著消失在不良的生活幻覺(jué)醉同父異母哥哥拍新的被強(qiáng)-奸的的正常生活,媽媽為了尋找美軍隊(duì)里工作最棒的混血兒是我墮落的結(jié)束,上交。然而屋塔房里居住,生活的大海和波浪在監(jiān)獄中被釋放的新拍的。   

即刻觀影

劇情賞析

韓國(guó)2000年限制級(jí)電影,劇中同父異母的弟弟連姐姐都不放過(guò) hellip; hellip;美軍部隊(duì)里賣的妓女的女兒海洋和沙的同父異母的哥哥一起拍新的童年。有一天,媽**眼睛對(duì)美軍和3只留著消失在不良的生活幻覺(jué)醉同父異母哥哥拍新的被強(qiáng)-奸的的正常生活,媽媽為了尋找美軍隊(duì)里工作最棒的混血兒是我墮落的結(jié)束,上交。然而屋塔房里居住,生活的大海和波浪在監(jiān)獄中被釋放的新拍的。   

編輯推薦

殺戮南瓜怪

佩頓·伊麗莎白·李,柯瑞·福格爾瑪尼斯,懷亞特·林德納,卡拉·吉門內(nèi)斯,Sasha Mason,喬納·利斯,DJ·考爾斯,Marc Sully Saint-Fleur

  萬(wàn)圣節(jié)之夜,一位少女劇作家、她的弟弟和一群幸存者被困在一個(gè)可怕的村莊里:一群有著生命的南瓜開(kāi)始攻擊人類,而這件事似乎在這個(gè)村莊的歷史上發(fā)生過(guò)。

燃燒的夜晚

布萊恩娜·伊維根,查理·塔漢,加瑞特·迪拉胡特

  獅門出品 必屬精品  暴風(fēng)雨來(lái)襲  一女孩和她有孤獨(dú)癥的弟弟被困在一個(gè)有老虎的房子里

正人君子2024

崔貞允,許伊在,安喜延,安世珉

達(dá)到合格率99%,顧客滿意度100%的自薦書(shū)代筆人寶允,聲名大噪的她本人卻在為公務(wù)員考試而煩惱,在超市打工的她每天都過(guò)得非常不如意。為了就業(yè)被意想不到的事件所糾纏。寶允的人生漸漸陷入無(wú)法控制的困境

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超暴力機(jī)斗

Ben Naasz,Teddy Ca?ez,Jennifer Sydney

  主要講述了未來(lái)世界人與機(jī)械武器之間的愛(ài)恨情仇。

牢獄鴛

華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利

 肯特·馬洛(蒙哥馬利·克里夫特 飾)因酒駕而入獄,并在牢中認(rèn)識(shí)了搶劫犯約翰·摩根(切斯特·莫里斯 飾)和殺人犯機(jī)關(guān)槍布奇(華萊士·比里 飾)。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌,隨后他與其他獄友也無(wú)法和諧相處,心懷不滿的他在警察密探的慫恿下想要通過(guò)抓住布奇和摩根的把柄的方式來(lái)提前出獄。性格暴躁的布奇無(wú)法忍受牢中惡劣的飲食條件,在餐廳慫恿所有犯人一起抗議,最終遭到壓制,布奇也因此被送往地牢,但他心中已打定主意要設(shè)法越獄。摩根性格狡猾,在獄中一直左右逢源,并因在獄中表現(xiàn)良好得到了提前出獄的假釋機(jī)會(huì),就在他喜不勝收準(zhǔn)備出獄之時(shí),某個(gè)突然而來(lái)的事件永遠(yuǎn)改變了他的命運(yùn)。