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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
提線木偶
李忠秀,具智成,韓素英學識淵博偉岸帥氣的任智勛（李忠秀 飾）是小有名氣的精神科醫(yī)師，他偏向冷靜思維人與人之間的情感，將一切都歸于最理性科學解釋，內(nèi)心雖感深深孤獨，卻時常和不同的女子夜夜歡歌，雙棲雙宿，一味沉湎肉體的歡愉。他的同事兼好友俊基則不然，是一個追求真愛的傳統(tǒng)男子。俊基通過相親結識美麗的提線木偶師賢貞（具智成 飾），然而對方仿佛隱藏的無盡的心事。賢貞時常會看到恐怖的鬼影出現(xiàn)在她的面前，有時會莫名其妙失去知覺。為了幫助女友擺脫困境，俊基拜托智勛采用催眠的辦法為賢貞治療。 催眠過程中，賢貞講述了自己隱秘的過去，并開始表現(xiàn)出妖冶鬼魅的人格。禁不住誘惑，智勛利用催眠跨越禁區(qū)，全然不計任何后果……
平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亞諾是兩個生活拮據(jù)的五十多歲男人，他們秉持著“絕不錯過最后一杯酒”的人生哲學。在一次偶然的機會中，他們結識了朱利奧，一位性格內(nèi)向、對人生感到迷茫的建筑學學生。這場看似不經(jīng)意的邂逅，卻逐漸演變成了一場穿越威尼斯平原的混亂公路旅行。 在旅途中，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰(zhàn)朱利奧對人生和愛情的原有計劃。這場旅程不僅重新定義了他們彼此的生活，也讓朱利奧開始重新思考自己的未來方向。
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari達爾文是一名攝影師，他發(fā)現(xiàn)有個神秘女人總出現(xiàn)在自己的照片中。當這個幽靈般的身影開始在現(xiàn)實生活中顯現(xiàn)時，他的女友皮亞開始調查這個鬼魂的身份，最終發(fā)現(xiàn)它與一名名叫莉莉斯的前大學學生有關。當達爾文的朋友們開始陸續(xù)死亡時，皮亞懷疑這些鬼魂事件與達爾文的過去惡行有關。
莫·吉里根：活在當下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
恐怖特快
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