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137號案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達,戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森「為什么大家討厭警察？」男孩詢問母親。身為警察的史黛芬妮，負責的卻是警察暴力與失職案件調查。2018年，一名青年隨親友來到巴黎參與街頭抗議，卻因警方開槍，導致永久性腦部損傷。家人提出指控，警方卻矢口否認，關鍵證據亦是不足。內外壓力夾攻之下，史黛芬妮仍奮力調查，調閱攝像頭比對、還原警員動線，越逼近真相之際，同僚的敵意也越發強烈??
孤獨癥候群
Pierre Le Baleur,Eddy Frogeais,Diane MartinAn epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝記者玲（李心潔飾）的男友Peter獲得一宗刑事案件的新聞線報，前去取證途中突然遭遇交通事故意外身亡。玲覺得事有蹊蹺，調查后發現一宗模特命案。女模特Helen裸死于家中浴缸，富豪之子張承志沒有不在場證據，但事件竟被警方低調處理，張承志的相關證據也被消除。玲為不愿男友枉死，誓要調查出事件真相，但報社總編輯曾達時（梁家輝飾）卻不愿為玲伸出援手。無奈之下，玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調查真相。飛原來是警察出身，在調查中，他發現Peter的死因確有蹊蹺。隨著調查的進行，黑暗中的黑手不斷想將玲置于死地，究竟事件的真相能否登上報紙的A1頭條？真相與言論自由的賽跑，在香港的午夜開始。
東北戀哥3：冬天里的一把火
包貝爾,張夢露,喬杉,潘斌龍,韓彥博,韓云云,張呈90年代的哈城，剛刑滿釋放的徐鐵（包貝爾 飾）偶遇裝啞的舞女百靈（張夢露 飾），兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖，讓他們相互靠近，卻又因現實隔閡，家人誤解而屢屢拉扯。百靈為父還債的秘密賬本，讓徐鐵讀懂了她的苦衷，雷力的迫害更是將兩人推向絕境，徐鐵以命相搏救出被囚的百靈，終贏來家人祝福。這對孤獨靈魂，在世俗重壓下，以真愛焐熱了彼此的人生。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.