沖浪女孩布魯娜 Bruna Surfistinha
還是高中生的時候,她在學校里經常被欺負,在家也和家人不和,一氣之下離家出走,專門跑去一間妓院找工作。17歲,成了妓女,她將名字改成布魯娜(Deborah Secco 飾)。布魯娜工作用心、敬業(yè),又年輕漂亮,很快成為紅牌,和同行們也交上朋友。一次藏毒風波,布魯娜帶著幾個好友獨立出來另立門戶,她開設了一個博客,迅速走紅網絡,慕名而來的客人絡繹不絕。事業(yè)蒸蒸日上,財源滾滾不斷,甚至上了電視節(jié)目,成了明星,布魯娜卻開始迷失,她沉迷毒品,找不到方向,客人開始離她而去。幸而她的第一個客人始終陪在她身邊不離不棄,她發(fā)現自己心中的愛,也再度振作起來,決定“退休”的同時,也勇敢寫出自己三年來的故事…… 本片改編自巴西“名妓女變暢銷作家”的真實故事。
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阿坎達2
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眠山怪影
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魔鬼名校
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森英恵蝴蝶之外
八木莉可子,中島裕翔作為唯一一位活躍于“時尚界最高峰”巴黎高級定制領域的日本設計師,森英惠女士終生致力于向世界傳遞“日本優(yōu)雅”。蝴蝶主題作為象征品牌的設計風靡全球,她本人亦被親切稱為“蝴蝶夫人”。2026年正值這位英惠女士誕辰100周年。值此節(jié)點,由實力派年輕演員八木莉可子主演,將她鮮為人知的青春歲月故事搬上熒屏。 以豐富色彩與優(yōu)美設計迷倒全球女性的森英惠女士,其于戰(zhàn)后混亂期從零開始開拓設計師道路的歷程卻鮮為人知。本作將描繪從島根度過的童年時光,到因親手為孩子制衣而沉醉于西式剪裁,最終作為設計師綻放才華、進軍世界的未知奮斗史。 1926年(大正15年),英惠出生于島根六日市村(現吉賀町),在五兄妹中排行第四。她所呈現的鮮明“色彩”與優(yōu)美“形態(tài)”雖跨越時代令我們感動,但其原點據說正植根于童年熟悉的故鄉(xiāng)原始風景。 歷經戰(zhàn)禍,22歲結婚。為給即將出生的兒子制作衣服而開始學習西式剪裁的她,迅速為之著迷,25歲時在東京新宿開設定制西服店“日吉屋”。此后更涉足電影服裝領域,執(zhí)掌《太陽的季節(jié)》《瘋狂的果實》《彼岸花》《秋日和》《秋刀魚之味》等名作的服裝設計,奠定了日本電影界“服裝設計”的重要性。 隨后,到訪美國紐約的英惠目睹日本產服裝被視作劣質品的現實,決心向世界傳播日本傳統美與卓越技藝,最終決意進軍國際。支撐她成為世界級設計師的原動力,正是永無止境的挑戰(zhàn)精神、非凡的努力,以及長年無私奉獻的丈夫賢的支持。 此次描繪英惠波瀾壯闊的半生,劇本由執(zhí)筆過晨間劇《怪怪怪的妻子》及大河劇《八重之櫻》等多部劇集的山本睦美擔當。在徹底考證史實的基礎上,作品將點綴從在島根原野奔跑的少女時代到飛躍世界的未知軼事,編織她所追尋的夢想。當然,蝴蝶設計的誕生秘辛亦將呈現。
多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler瑪西,一位年輕女子,被一個面目猙獰的怪物擄走,這個怪物一心要把她當作自己的孩子撫養(yǎng)長大。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.