失蹤少女55
小島京子，父母早亡，以后就捲入黑暗社會，被ONESti偵查團(tuán)隊(duì)所救，她在那里工作，接受間諜工作，然后裝扮成女子學(xué)生，潛入學(xué)校組織，那是綁架少女的問題組織，然后進(jìn)行嚴(yán)厲非人道的培訓(xùn)，再加以人身靈肉販賣的學(xué)校，小島京子在那里查尋組織的秘密。這種危險工作，對京子而言，是其人生第一次正確且有意義的工作。終于小島京子和其他被綁架學(xué)生將逃出時，最后受到阻礙，是有內(nèi)奸預(yù)先暴露她們逃亡行蹤，使得營救沒完全成功，還有由衣.小美等人未救出，是有人和學(xué)校代理校長金澤洋子相互勾結(jié)，致使消息走露，任務(wù)受挫。小島京子逃出以后，發(fā)覺體內(nèi)被注射某種致命病毒，是種MM819改良型的新式病毒，會在體內(nèi)進(jìn)行重組的死亡病毒，發(fā)作時可能一週死亡，解藥需一段時間后才有。京子計劃再潛入學(xué)校，以竊取疫苗或制造解藥資料。同時，拯救行動中，發(fā)覺這所凌辱學(xué)校，利用電氣「人格改造」，也就是「洗腦」的一種，能控制人的思想行動，致使人胡為亂性，只遵從主宰者指令，奉命行事。在一場拍賣會，被改造過的學(xué)生，脫衣解褲，性感誘姿，以使顧客高價買之。適時而來的相關(guān)營救人員和軍隊(duì)，與Onesti學(xué)校歹徒展開激烈戰(zhàn)斗，最后學(xué)校女生可以安然離開這個人間地獄??
即刻觀影
劇情賞析
編輯推薦
野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學(xué)家們在一個小鎮(zhèn)的供水系統(tǒng)中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。
惡夢偵相
Yalitza AparicioFollows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜真正的友情從無關(guān)身份，而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇，老鄭意外成為網(wǎng)紅，而亮亮成了他身邊最堅定的搭檔。 兩人一路同行，也在彼此的生命中照進(jìn)光芒。一段身份懸殊的特殊友誼，在笑淚交織中悄然生長。 然而，當(dāng)老鄭在流量中逐漸迷失走向失控，這段關(guān)系也迎來了前所未有的考驗(yàn)……他們，能否成為彼此最特別的那束光？
人證1977
岡田茉莉子,松田優(yōu)作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二死于東京皇家飯店電梯里的美國黑人青年被人發(fā)現(xiàn)后，警方展開調(diào)查，從死者遺物中，知曉其名叫焦尼，并推斷其來日目的是為找尋生母。根據(jù)種種線索，警方來到某溫泉，發(fā)現(xiàn)知情人已被殺害，但還是知曉了知名服裝設(shè)計師八杉恭子（岡田茉莉子）當(dāng)年曾與一美國黑人士兵在此同居之事，遂派警官棟居（松田優(yōu)作）前去美國向紐約警察肖夫坦（喬治?肯尼迪）求證。 求證過程中，棟居陷入歷史記憶與民族情結(jié)中，幾欲將眼前的美國人尤其肖夫坦與當(dāng)年在日本犯下罪行的劊子手混為一談，但終回復(fù)理智完成了任務(wù)，將八杉恭子圈定為兇手，而八杉恭子不過也是歷史的受害者。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
征服者2025
阿克夏耶·坎納,馬達(dá)范,蘭維爾·辛格,桑杰·達(dá)特,阿俊·拉姆鮑,阿哈娜·卡姆拉,莎拉·阿爾瓊,拉詹德拉納斯·祖特施印度頂級間諜阿吉特·多瓦爾（Ajit Doval）在敵方領(lǐng)土上臥底，冒著一切風(fēng)險收集情報并防止重大危機(jī)，鞏固了他作為“印度詹姆斯·邦德”的遺產(chǎn)。