即刻觀影
劇情賞析
編輯推薦
死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco TinelliClaudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.
人蛇大戰2022
李勁峰,蘇濛濛,駱達華因為人為的過度開采，工業廢料的隨意丟棄，導致美麗海島生態被破壞，變異怪物巨蛇攻擊人類。主人公陳朗靠著自己的勇氣帶領眾人逃生并犧牲性命保護家人。通過故事向人們發出了保護生態環境的預警，同時宣揚了團結、守護和愛的人性光輝。
猩球崛起
安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴丁斯,克里斯托弗·戈登,德文·達爾頓,杰·卡普托,大衛·奧伊羅,杰米·哈里斯為了能讓身患老年癡呆癥的父親重回正常的生活，威爾·羅曼（詹姆斯·弗蘭科 James Franco 飾）一直致力于名為“Cure”的基因藥物的開發，并在大猩猩身上不斷進行著藥物試驗。在公司已經失去信心的同時，威爾繼續在家完成試驗，并在一只名為凱撒的大猩猩身上獲得成功。借助靈長類學家卡洛琳（芙蕾達·平托 Freida Pinto 飾）的幫助，威爾發現凱撒的智力極大地提高。不過，人類的社會始終無法接受擁有極高智力的凱撒，凱撒被送往了猩猩看護所。看護所的殘酷對待，使得凱撒利用智慧進行抗爭，最終救走了同時被囚禁的其他猩猩，而且對它們都使用了Cure。一群高智商的猩猩與人類對立的戰爭就此拉開。本片獲得了第84屆奧斯卡最佳視覺效果的提名。
少女椿
中村里砂,風間俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鳥居美雪,鳥肌實故事發生在繁華的大都市東京，十四歲的少女阿綠（中村里砂 飾）失去了唯一的親人，孤苦無依的她在誤打誤撞之中走進了名為“赤貓座”的巡回馬戲團中，就此拉開了悲慘人生的序幕。無處可去的阿綠在馬戲團中受盡了眾人的凌辱和折磨，淪為奴隸和傭人，日子過得苦不堪言，每一天都是地獄般的寫照 ?！ 【驮诎⒕G快要絕望之時，侏儒魔術師出現在了馬戲團中，出現在了她的眼前。侏儒魔術師的出現讓快要倒閉的馬戲團重現生機，他亦成為了馬戲團中最重要的成員。與此同時，阿綠在魔術師的身上找到了久違的溫暖和感情，兩人決定結婚，雙雙逃離這充滿了痛苦的魔窟。
奇幻西游：新世界
許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞未來世界，科技與數據主宰一切，當舊城區變得又老又擠，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當然失格，但他為了讓奶奶（鐘欣凌 配音）過好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易…… 影片將《西游記》搬到科幻場景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護衛悟空（庾澄慶 配音）、女機器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster