極道血色玫瑰

猩瘋血雨

約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪

　　暑期返回夏威夷的露西（約翰尼·斯奎婭飾）與父親亞當（特洛伊·科特蘇爾 飾）、妹妹艾琳及寵物黑猩猩本團聚。趁父親因工作離家，露西與好友凱特（Kate）、漢娜（杰西卡·亞歷山大 飾）及凱特的哥哥尼克策劃了一場泳池派對。派對期間，本被一只患有狂犬病的動物咬傷，溫順的黑猩猩逐漸變得兇殘。眾人被迫困在泳池內，且在無法求援的絕境中，必須協作智斗發狂的本以保全性命。

索蕾：來自未來的妻子

希拉·達拉·艾莎,迪翁·維約科,David Gojkovic

　　Sore從未來穿越回過去，只為改寫她丈夫Jonathan的命運。但命運從不輕易讓步——當過去、現在與未來交織，她與Jonathan的愛情也陷入無法逃脫的時間迷宮。

危情蜻蜓

安德麗婭·賴斯伯勒,布蘭達·布萊斯,杰森·沃特金斯

出于對年邁鄰居艾爾西（布蘭達·布萊斯飾）所獲照料狀況的厭惡，科琳（安德麗亞·瑞斯波羅格飾）主動提出免費提供幫助。在茶敘與艱難時刻中，盡管存在差異，兩人成為了彼此信賴的知己。但科琳的意圖可能并非表面所見。隨著疑云漸起，一項駭人舉動觸發了一場暴力的連鎖反應，勢將無可挽回地改變這兩位女性的生活。

美國勇士

A man with a troubled past decides to turn his life around after a heroic act by training for a mixed martial arts tournament.

搜查瑠公圳

朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復,錢薇真

根據1961年轟動全臺的“瑠公圳分尸大案”改編。刑警趙子午（朱軒洋 飾）與記者張秀秀（吳卓源 飾）在得知女尸案有幕后陰謀后，聯手搏命找尋真相。警方也隨后發布巨額懸賞。不料，趙子午父親、抗日將軍趙志升（張世 飾）被列為分尸案嫌犯。媒體得知后開始瘋狂報道，一時間這起混雜血案、輿論、政敵的分尸案鬧得全城震動……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

無論如何我愛你

 這部精美的動畫短片由編劇/導演威爾·麥柯馬克和邁克爾·戈維爾聯手打造。在悲劇發生后，一對父母失去了孩子，傷心欲絕的他們要面對隨之而來的失落感。