影片推薦
憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克小前提
Sathya Sridharan,帕頓·阿什布洛克,達納·艾希布魯克飲食男女1994
郎雄,楊貴媚,吳倩蓮,王渝文,張艾嘉,歸亞蕾,趙文瑄,陳昭榮,陳捷文,盧金城,唐語謙,洪其德,王瑞,杜滿生,王玨,陳妤,左正芬,許敬民,聶卓晶,丁仲大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里皇家次子女秘密組織
格雷格·布瑞克,艾洛蒂·袁,斯蓋拉·阿斯丁,佩頓·伊麗莎白·李,奈爾斯·菲奇,阿什利·廖,伊莎貝拉·布萊克·托馬斯,諾亞·羅麥克斯,賈斯達達,Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel同類精選
一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson死人開關
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale吉星拱照
周潤發,張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強,黃貫中千萬不要跟著我
Karla Coronado,揚克爾·史蒂文,Julia Maqueo最后的救贖2024
娜塔莉·伯恩,詹姆斯·科茲莫,Denisa Juhos復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁影視排行
失真的畫
威廉·達福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦爾,Samantha MacIvor五年前,一系列模仿名畫場景的連環殺人案轟動紐約城,警探斯坦(Willem Dafoe 飾)受命調查此案,然而卻遲遲沒有進展,令其飽受輿論壓力。斯坦以少女克莉斯特(Samantha MacIvor 飾)作誘餌吸引兇手,雖然成功擊斃嫌疑犯艾迪,卻也導致克莉斯特慘遭殺害。 艾迪一案使斯坦得到警署嘉獎,順利升職,不過他的心中始終對遇害少女懷有愧疚,并且此案背后似乎另有隱情。心中承受巨大內疚之情的斯坦沉溺酒精,愈加孤僻。五年后,類似案件再次出現,兇手似乎有意以斯坦為目標發出赤裸裸的挑戰。斯坦不僅要面對這個狡猾且智商極高的對手,更要面對長久以來困擾自己的心魔……
我是山姆
西恩·潘,達科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩在星巴克工作的山姆(西恩?潘 Sean Penn 飾),雖已成人,但智力水平只有7歲。一次偶然,他收留了一個流浪女。該女子幫山姆生下了一個女兒后消失得無影無蹤。他給女兒取名叫露西(達科塔?范寧 Dakota Fanning 飾),因為他最喜歡甲殼蟲樂隊的《天空中戴鉆石 的露西》。他非常疼愛自己的孩子。露西在山姆的細心呵護下慢慢地長大了,她發現爸爸不能看懂稍微復雜一些的故事。她在拒絕長大,希望和爸爸一樣。父女倆的生活是那么幸福。地區的教育官員發現了這個特殊的家庭,他們認為山姆沒有能力照顧露西,于是把露西帶走了。傷心極了的山姆一心要掙回露西的撫養權,于是他自以為是的去找該地區最好的律師……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
另一個時間
賈斯汀·哈特雷,阿莉爾·凱貝爾,詹姆斯·凱森·李,阿蘭·皮特魯塞澤維斯基,馬克·瓦雷,杰克·麥克勞克林,塔克·斯莫爾伍德,艾登·洛夫坎普,克里斯爾·斯塔休斯,Ethan Cohn,卡爾·T·懷特,Julia Parker,托馬斯·亨尼賽當一個男人愛上一個訂婚的女人時,他決定設計一個計劃-回到過去在她遇見她未來丈夫之前追到她,透過他的才智與金錢,配合科學家教授多年來的研究,他將回到過去搶得先機,一旦回到過去,他會發現愛總是在他意想不到的地方…