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靳圣通吉星拱照
周潤發,張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強,黃貫中追隨你腳步
蒂莫西·斯波,喬安娜·拉姆利,艾美達·斯丹頓,大衛·海曼,西莉亞·伊姆里,約翰·塞森斯,約茜·勞倫斯,理查德·霍普,西恩·托馬斯,保羅·陳7A公寓
朱莉婭·加納,黛安·韋斯特,吉姆·斯特吉斯,凱文·麥克納利,安德魯·巴肯,寇布勒·霍爾德布魯克-史密斯,瑪里·休,羅西·麥克尤恩,妮基塔·查達哈,帕特里克·利斯特,詹姆斯·斯旺頓,愛米莉·利森,Brooke Walter,Mellanie Hubert,阿聶爾·德賽,迪倫·鮑德溫,Hannah Morley,斯科特·休姆,朱莉婭·威斯科特-哈頓,Andre Lillis鬼屋行竊
露娜瑪雅,Maxime Bouttier,Agus Kuncoro同類推薦
青石鎮傳說
曹衛宇,李培銘,胡亦瑤,張璐瑤,高凱在女兒青蘭頻繁發作邪病、不斷重復詭異兒歌的困擾下,風水師豪哥(曹衛宇 飾)與碼頭工人阿坤、記者大偉一同踏上了前往青石鎮的探險之旅。在這個風水布局精巧、卻氣氛詭異的小鎮上,他們不僅發現了青蘭的姐姐紅蓮的命運,還揭開了鎮上隱藏的驚天秘密。
旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪該片根據編劇的童年經歷進行創作。影片講述女主旺姆在丈夫離世之后,秉持著傳統,為了丈夫來世不需背負生前的債務,而接手丈夫生前巨額的債務替他還債,從而一步一步被生活逼到絕境的故事。
爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達夫,景瓷,艾然一個東南亞小鎮中,卷王警察于大海(彭于晏 飾)起早貪黑,努力工作,讓小鎮連續7年維持0犯罪率。結果因為沒有案子,警察將被全員辭退,“鐵飯碗”成了“塑料碗”,為保住工作,于大海決定和隊友們一起造個大案。與此同時,真正的大案正在發生,前來投奔羅四季(艾倫 飾)的盜墓賊羅浩(周游 飾)、牛大輪(閆佩倫 飾)一家人,盯上了傳說中藏有寶藏的古墓,而這個古墓就在警局之下......
手遮天
劉峰超,袁福福,淳于珊珊底層捕快薛不疑(劉峰超 飾)因不諳世故遭同僚排擠,憋屈十年。一樁賑災銀盜竊案他淪為替罪羊。絕境中,他受老師黃士寧(淳于珊珊 飾)搭救,與師弟李震(袁福福 飾)再度合作,然而錢外有錢官外有官,他被迫成為高官手中的“犬牙”……在這黑暗世道,他是會選擇做一只聽話的鷹犬,還是掙脫這巨 手成為啄天之鷹?
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster