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劇情簡介
香港角頭大哥,雄哥與豪哥為了生意宴請好友超哥,席間超哥看中歌女小涵,小涵不從,雄哥為面子硬將小涵推殘,小涵見超哥睡去,憤而槍殺超哥。惹火雄哥,決定將其交由超哥兄弟處理,小麥與英姐為護小涵,與雄哥反目。小麥與英姐求助豪哥出面化解,豪哥請雄哥放他們一馬,雄哥不肯,二人不歡而散。夜里雄哥被小麥狙擊殺死,雄哥死后,身旁兄弟阿幫升任大哥,亦不放過小麥與英姐,但因受警方監視,不敢妄動。阿邦利用各角頭兄弟找...
同類好片
空中輪胎
長瀨智也,藤岡靛,高橋一生,深田恭子,岸部一德,笹野高史,寺脅康文,小池榮子,阿部顯嵐,中村蒼,室毅,柄本明,佐佐木藏之介,升毅,谷村美月電影版淘氣小企鵝啵樂樂甜蜜城堡大冒險
Su Jung Ham,Lee Sun-kyun,李美子邀請函
娜塔莉·伊曼紐爾,托馬斯·多赫蒂,斯蒂芬妮·科內柳森,阿拉娜·博登,西恩·帕特維,休·斯金納,維拉格·巴拉尼,考特尼·泰勒,卡塔·薩博,伊麗莎白·康塞爾,斯科特·亞歷山大·楊,杰瑞米·惠勒,卡羅爾·安·克勞馥,克里斯蒂娜·格蕾絲·薩爾科留存的愛
莎加·加達斯多蒂爾,斯瓦利爾·古德納松,伊達·梅金·赫林斯多蒂爾,英格瓦·埃蓋特·西古德松,安德斯·莫索林,卡特拉·M·索爾蓋爾斯多蒂爾,哈德爾多爾·拉克斯內斯·哈德爾多爾松,克里斯廷·古德蒙德松,格里穆·赫利尼森,索吉爾斯·赫林松上海快車
瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費蒂茨,埃米爾·肖塔爾,George Blagoi,李奧納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強海底軍艦
高島忠夫,中村哲,藤山陽子,藤木悠,佐原健二,上原謙,小泉博,田崎潤,田島義文,平田昭彥導演精選
蒼雪麒麟
百年前萬靈古城遭黑水軍團操控的麒麟居戮,女王妙清封印麒麟后難產離世。百年后,其遺孤蒼雪貌丑家貧,在忠義堂備受排擠,暗戀陌千禾,機緣下救了龍族皇子諾,獲三個愿望。隨著假公主陰謀、麒麟解封,古城再起危機,蒼雪在蛻變中揭開身世,攜手伙伴對抗幕后黑手,拯救古城。
杰索拉·加尼美·卡美巴 決戰!南海的大怪獸
攝影師工藤太郎在坐飛機的途中發現一架太空囊墜入大海,那正是4個月前離奇失蹤的無人木星探測器赫利俄斯7號。回國后的工藤接到陪同開發公司調查隊前往塞吉歐島的工作,而塞吉歐島正位于赫利俄斯7號墜落地點的附近…… 另一方面,塞吉歐島突然出現巨大的怪獸,這一切似乎和赫利俄斯7號有關……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.